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Realism in Asia
What is the place of realism in Asian art histories? What is the ‘real’? How do reality and realism relate and differ? The six essays in the present volume explore the manifestations of realism in Asian art, relating this art of description to issues of colonialism, world and civil wars, nation building, religion and contemporary culture in Asia.
Clan
The past gets in the way of present and future possibilities, yet without it, what hope is there for self-knowing and wisdom? These questions are explored in Yeo Wei Wei's transcreation and adaptation of Soon Ai Ling's stories. Characters are caught up in private fantasies as they strive for freedom to love, freedom from fate. A multi-generational family mourns the mysterious disappearance of a flamboyant uncle with vampiric complexion. A teacher looks forward to her reunion with an apprentice whom she has adored for decades and secretly worships as a reincarnated goddess of Chinese embroidery. A teenager tries to save her baby by hugging a vending machine and refusing to give birth. CONTENT...
Diasporic
Traditional Chinese cuisine, jade, batik, embroidery, and horticulture. In Soon Ai Ling's fiction, newly translated into English by Yeo Wei Wei, the lives of twentieth-century Chinese diaspora unravel in the midst of emblems and environments resplendent with cultural influences from East and Southeast Asia. Life is strange, painful, and beautiful. In stories set across Singapore, Hong Kong and Malaysia, the characters in Diasporic struggle for freedom to love, freedom from fate. CONTENTS: Chef Tham, Fans of the Phoenix, Jade and Fate, Clove, Batik Melody, Bai Xiangzu and Her Embroidered Peacocks, Jade Butterflies, The Song of Life, Blossoms of the Moon Season Soon Ai Ling is a native of Huiy...
These Foolish Things & Other Stories
This debut collection by Yeo Wei Wei explores the realms between private selves, past and present, through vivid and haunting motifs—a singing bird, a lost soul in a yellow umbrella, an ivory carving, the diary of an ex-boyfriend's father. Revealing the regrets, obsessions, loss and sorrow of events in everyday life, These Foolish Things &Other Stories is a compelling piece of work ready to haunt, delight and touch its readers. A wife returns home to find that her husband has remarried ... An old woman in a nursing home is visited by a mynah that sings a Beatles song ... An artist remembers the time he was harangued by rambutans, magoes and other fruits in his studio ... “No word is out ...
Beyond Description
This book addresses issues of space, historicity, architecture and textuality by focusing on Singapore's singular position in the region and as a global city. The articles consider how various experiences of Singapore, both from within and from outside, help to complicate existing assumptions about global urbanism, postcolonialism, and architectural theory while producing challenging new ideas from a variety of disciplines concerned with how space, historicity, architecture and textuality inform one another.
These Foolish Things
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The Story of Yeh Chi Wei
"The essays in volume one examine his contributions and the influence of diverse cultural and historical resources in his paintings. There are also biographical portraits by family and former students. The works in the exhibition are showcased in 120 colour plates. Volume two, contained in the enclosed CDR, consists of the essays in volume one in Chinese, historical publications and relevant images. There are eight essays by Yeh Chi Wei written and published between 1960 and 1972. 18 articles by various writers on Yeh Chi Wei and the Ten Men Group, written and published between 1961 and 2010, have also been reprinted. All these essays, articles and publications are accompanied by new English translations. Past exhibition catalogues on Yeh and the Ten Men artists have also been reproduced. Volume two includes images of artefacts and books from the artist's own collections"--P. 4 of cover.
Familiar Others
Who is “the Other”? What does it mean to represent peoples who are different from one’s own? For the modern painter and photographer, images of “Others” were often important sources of inspiration. Artworks might emphasise differences between people—by drawing upon exotic stereotypes about so-called “primitive” cultures—but could also be used to assert a position of solidarity with marginalised communities. The exhibition Familiar Others explores this through the work of the work of three artists. Painter Emiria Sunassa (1894‒1964) made images of peoples from all over the Indonesia archipelago but had a special interest in Papua. Eduardo Masferré (1909‒1995) photographed peoples of the Cordillera region, where he spent his life. Yeh Chi Wei (1913‒1991) travelled throughout Southeast Asia, but was especially inspired by the Indigenous Peoples of Sarawak and Sabah. This catalogue features an essay by curator Phoebe Scott, full-colour images of the artworks, timelines of the three artists, and the artwork responese by artists, poets, academics and musicians that were commissioned for this exhibition.
