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This two-volume set constitutes the refereed proceedings of the 17th CCF Conference on Computer Supported Cooperative Work and Social Computing, ChineseCSCW 2022 held in Datong, China, during September 23–25, 2022. The 60 full papers and 30 short papers included in this two-volume set were carefully reviewed and selected from 211 submissions. They were organized in topical sections as follows: answer set programming; Social Media and Online Communities, Collaborative Mechanisms, Models, Approaches, Algorithms and Systems; Crowd Intelligence and Crowd Cooperative Computing; Cooperative Evolutionary Computation and Human-like Intelligent Collaboration; Domain-Specific Collaborative Applications.
This book analyzes Han dynasty Chinese archaeology based on a comparison of the forms of vessels found in positively dated tombs.
Selected, peer reviewed papers from the International Conference on Mechanical Engineering and Green Manufacturing (MEGM) 2010, November 19-22, 2010, in Xiangtan, China
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Faculties, publications and doctoral theses in departments or divisions of chemistry, chemical engineering, biochemistry and pharmaceutical and/or medicinal chemistry at universities in the United States and Canada.
Since at least the early sixth century C.E., ink rubbings of stone, metal, clay tiles, and wood inscriptions and pictorial images have been used in China to make precise copies of culturally valued material. These paper copies sometimes are all that remain of original works that have become illegible through erosion, or that have been destroyed by war or development, or have been rendered inaccessible through events such as flooding resulting from dam construction. Chinese rubbing techniques are used throughout East Asia to create copies that often also are prized in themselves as works of art. Despite the primary importance of this technology to history, art, archaeology, printing, and many...
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Qianlong, the great 18th-century Emperor, ruled China for 60 years, during which time the country became the mot wealthy and populous nation in the world. An open-minded, truthful and hard working ruler, the Emperor was also a poet, painter and calligrapher, as well as an art collector and connoisseur. In conjunction with the first exhibition from the Palace Museum Beijing to the UK, this illustrated catalogue covers the Qianlong Emperor and depicts the many facets of his life. It also looks in detail at the art produced during his rule, both by himself and the artists he employed including court and genre portraits, prints, gold, silver and jade objects and textiles. This catalogue consists of five essays by the experts of the Palace Museum and introductory texts to 90 exhibits from its superb collections.
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