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Laure Prouvost: This Means Love
An ingenious object alphabet designed to relearn human communication As an attempt to rediscover the basics of human connection in these isolated times, French artist Laure Prouvost (born 1978) has developed a new ideographic language called "Legsicon." The aim of Prouvost's project is to unlearn and relearn language and engage with new methods of communication and narrative storytelling. Challenging the conventional systems of linguistics and representation, Prouvost replaces emotive words and concepts with anthropomorphized objects which are then transcribed and translated into progressively complex lexical and linguistic tests and eventually entire narratives. Dubbed the "Re-dit-en-un-in-learning Center," Prouvost's installation based on Legsicon encouraged visitors to the Lisson Gallery in London to decode and reinterpret such narratives. This volume includes documentation of the installation and the watercolor illustrations used to demonstrate Prouvost's object alphabet, as well as a series of new stories and texts written in Legsicon commissioned by the artist from various authors.
365 Days of Invisible Work
"365 Days of Invisible Work is a compendium of political representations of domestic work collected by the Domestic Worker Photographer Network, an online community of amateur photographers made up of migrant workers, gardeners, dishwashers, artists, teachers, and many more. Organized as a calendar, 365 Days of Invisible Work, is dedicated to making visible the myriad lavours negated by oppressive capitalist structures by highlighting the daily work of cleaners, mothers, interns, care-givers, and many others! The network drew name and inspiration from the international worker-photography movement of the 1920s and 1930s, the first amateur photographers using cameras to represent the lives and conditions of workers. In that spirit, 356 Days of Invisible Work collectively re-thinks today's living and labour conditions, starting from the routines of domestic maintance and care. Conceived during the Grand Domestic Revolution, organized by Casco--Office for Art, Design and Theory, Utrecht, 356 Days of Invisible Work is the third edition of the Werker Magazine series initiated by artists Marc Roig Blesa and Rogier Delfos."--
Unlearning Exercises
Learning is often progress-oriented, institutionally driven, and focused on the accumulation of knowledge, skills and behaviour. In contrast, unlearning is directed towards embodied forms of knowledge and the (un)-conscious operation of ways of thinking and doing. Unlearning denotes an active critical investigation of normative structures and practices in order to become aware and get rid of taken-for-granted "truths" of theory and practice. This book shares the process of unlearning, taking art and art institutions as sites for unlearning and Casco Art Institute: Working for the Commons as an experimental case.0Unlearning at an art organization has led to collective unlearning exercises tha...
A Lasting Truth is Change
Transformative justice movements consistently recognise the power of art. Culture workers simultaneously acknowledge the need to challenge the historical and institutional conditions in which art is made. And while heritage art institutions display radical works, it is often without meaningfully addressing the structural injustice that has constrained their production. This book asks: What lies beyond hierarchical and extractive traditions that can activate change, here and now? The responses from scholars, non-normative collectives, and artists engaging with emancipatory experiments at the perimeters of institutions include interviews, essays, comics, and a play.
Art Intervention in the City
This book focuses on the phenomenon of art intervention—an expression of local initiatives by artists, collectives, and art centers wishing to influence the design of the space or make a change in its lifestyle. It pertains not only to acts of protest, but also to the creation of a new civil and political situation in which artists acknowledge their ability to constitute foci of power. These are reflected in acts such as squatting in abandoned buildings, restoring and redistributing them according to principles of social justice; mapping the city based on alternative parameters, such as revealing venues of collective memory or exposing the city's backyard; creating outdoor urban art galler...
Queer Art
A queer theory of visual art - based on extensive readings of art works Queer Art traces the question of how strategies of denormalization initiated by visual arts can be continued through writing. In the book's three chapters art theoretical debates are combined with queer theory, post-colonial theory, and (dis-)ability studies, proposing the three terms radical drag, transtemporal drag, and abstract drag. The works discussed include those by Zoe Leonard, Shinique Smith, Jack Smith, Wu Ingrid Tsang, Ron Vawter, Bob Flanagan, Henrik Olesen, Felix Gonzalez-Torres, Sharon Hayes, and Pauline Boudry/Renate Lorenz.
Zuidelijk Afrika
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Van Manneke Pis tot de betoverde haas
Wist jij dat de stad Brussel eigenlijk gered werd door een ondeugend jongetje dat overal plaste? Of dat de bewoners van een klein dorpje in Luxemburg nachtenlang wakker werden gehouden door feestende feetjes? En durf jij nog kattenkwaad uit te halen in de Antwerpse straten nu je weet dat Lange Wapper er ondeugende kinderen in het ootje neemt? De wereldberoemde stadsgids Tanguy Ottomer neemt je mee op een verrassende rondreis door België in 20 spannende, grappige en stoere verhalen.
Shifter 24
A collection of essays by artists and theorists on rethinking and unlearning a variety of topics from animality to time.
Uncut Funk
In an awesome meeting of minds, cultural theorists Stuart Hall and bell hooks met for a series of wide-ranging conversations on what Hall sums up as "life, love, death, sex." From the trivial to the profound, across boundaries of age, sexualities and genders, hooks and Hall dissect topics and themes of continual contemporary relevance, including feminism, home and homecoming, class, black masculinity, family, politics, relationships, and teaching. In their fluid and honest dialogue they push and pull each other as well as the reader, and the result is a book that speaks to the power of conversation as a place of critical pedagogy.
