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Examines the ideology of sacrifice in Soviet and post-Soviet culture, analyzing a range of fictional and real-life figures who became part of a pantheon of "heroes" primarily because of their victimhood.
Perestroika and the end of the Soviet Union transformed every aspect of life in Russia, and as hope began to give way to pessimism, popular culture came to reflect the anxiety and despair felt by more and more Russians. Free from censorship for the first time in Russia's history, the popular culture industry (publishing, film, and television) began to disseminate works that featured increasingly explicit images and descriptions of sex and violence. In Overkill, Eliot Borenstein explores this lurid and often-disturbing cultural landscape in close, imaginative readings of such works as You're Just a Slut, My Dear! (Ty prosto shliukha, dorogaia!), a novel about sexual slavery and illegal organ ...
"This is an English translation of a memoir by Myroslav Marynovich, a Ukrainian dissident who was imprisoned-and later exiled-during the Brezhnev years because of his membership in the Ukrainian Helsinki Human Rights Defense Group (UHG), which sought to make public the human rights conditions that existed in Soviet-controlled Ukraine. Born in Halychyna (a European-oriented western region of Ukraine, also known as Galicia) just after World War II, and educated in Soviet schools, the author describes in his memoir the influence of his Galician family in developing his position of resistance to totalitarian regimes. The narrative depicts life in Soviet-occupied Kyiv during the epoch of the Hels...
In this original and timely assessment of cultural expressions of paranoia in contemporary Russia, Eliot Borenstein samples popular fiction, movies, television shows, public political pronouncements, internet discussions, blogs, and religious tracts to build a sense of the deep historical and cultural roots of konspirologiia that run through Russian life. Plots against Russia reveals through dramatic and exciting storytelling that conspiracy and melodrama are entirely equal-opportunity in modern Russia, manifesting themselves among both pro-Putin elites and his political opposition. As Borenstein shows, this paranoid fantasy until recently characterized only the marginal and the irrelevant. Now, through its embodiment in pop culture, the expressions of a conspiratorial worldview are seen everywhere. Plots against Russia is an important contribution to the fields of Russian literary and cultural studies from one of its preeminent voices.
"Draws on philosophical and novelistic texts from the Western European and Russian canons to explore a crucial moment in the epistemological history of narrative and present a nonreductive way of conjugating the histories of philosophy and the novel"--Provided by publisher.
Preface / Mayhill C. Fowler -- Acknowledgements / Krzysztof Czyżewski -- Editorial note / Mayhill C. Fowler -- Map -- Introduction / Timothy Snyder -- Xenopolis -- Miłosz: A Connective Tissue -- Towards deep culture: a practitioner's reflections -- Drama of the Polish outsider -- Reinventing Central Europe -- Czernowitz: a forgotten metropolis -- The spirituality of Vilnius -- Between Timișoara and Târgu Mureș -- Our Bosnia: Bosnia becomes ours, until it hurts -- Sacrum, Fascism, Eliade -- Jerzy Ficowski: A reading of ashes -- Stanisław Barańczak: A widening horizon -- Tony Judt: An elder brother in thinking -- Tomas Venclova: A man from the other side -- The Spirit of Truth: On essays by Irena Grudzińska-Gross -- Select bibliography -- Index.
The thirst for post-World War II justice transcended the Cold War and mobilized diverse social groups. This is a story of their multilayered and at times conflictual interactions. In this edited collection, sixteen historians develop a new approach to the trials against persons accused of war crimes and mass murder in Europe during the ascendancy of Nazism and the Second World War (1933-1945). Focusing on the social aspects of the demand for justice and making use of previously underexploited local and international sources, contributors put to the test the notion of "show trials" and explore a range of judicial and political cultures from Germany to the Soviet Union. Essays uncover the expe...
World War II, known as the Great Patriotic War to Russians, ravaged the Soviet Union and traumatized those who survived. After the war, memory of this anguish was often publicly repressed under Stalin. But that all changed by the 1960s. Under Brezhnev, the idea of the Great Patriotic War was transformed into one of victory and celebration. In Russia's Hero Cities, Ivo Mijnssen reveals how contradictory national recollections were revised into an idealized past that both served official needs and offered a narrative of heroism. This triumphant narrative was most evident in the creation of 13 Hero Cities, now located across Russia, Belarus, and Ukraine. These cities, which were host to some of...
An examination of territorial changes between Czechoslovakia and Hungary and their effects on the local populations of the borderlands in the World War II era
A postcolonial study of Polish literature from Romanticism to the twenty-first century