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Bao Bao & Grandma Go to Dim Sum
Join Bao Bao and Grandma on their special day out together. As they enjoy dim sun, Grandma teaches Bao Bao about his culture and heritage through traditions, customs, table manners, and a variety of delicious Chinese teas and snack dishes.
Guan Gong - the Legend of the Red Face Warrior
With his scarlet red face, glistening golden armor, flowing green robes, and majestic blade, Guan Gong has been a symbol of bravery and loyalty for nearly two-thousand years. Following Guan Yu, a young warrior who later was deified as Guan Gong, on an epic journey as he battles warring rebels and upholds truth and honor in this classic Chinese tale brightly illustrated and written for modern readers of all ages.
Su-un and His World of Symbols
Su-un and His World of Symbols explores the image which Choe Che-u (Su-un), the founder of Donghak (Eastern Learning) Korea's first indigenous religion, had of himself as a religious leader and human being. Su-un gave his life so that he could share his symbols, his scriptures and the foundational principals of his religion with all people, regardless of their status, gender, age or education. His egalitarian creed challenged the major religious traditions in Korea, and Korean society as a whole, to reflect on the innate dignity of each individual, and to reform their social, ethical and religious practices to accord with the reality of the Divine presence in the 'sacred refuge' that lies within. Exploring the two symbols which Su-un created and used to disseminate his religion, and the two books of Scripture which he composed, this book breaks new ground by presenting the only major work in English which attempts to ascertain the image Su-un had of himself as the prototype of a new kind of religious leader in Korea, and by extension, East Asia.
Reflecting Mirrors
This book is the first comprehensive treatment of the Huayan school of East Asian Buddhism in a Western language. This school, which received its name from the Chinese translation of the important Mahayana scripture, the Buddhavatam sakasutra, flourished in China during the Tang dynasty (618-907) and spread to Korea and Japan as well. The reader gains an insight into the development of Huayan Buddhism: The compilation of its base text, the Buddhavatam sakasutra, the establishment of Huayan tradition as a special form of East Asian Buddhism and its visual representations. The book consists of five chapters: 1. State of Field, 2. The Buddhavatam. sakasutra, 3. Huayan in China, 4. Hwaom/Kegon in Korea and Japan, and 5. Huayan/Hwaom/Kegon Art. The following scholars contributed to this volume: Aramaki Noritoshi, Jana Benicka, Choe Yeonshik, Bernard Faure, Frederic Girard, Imre Hamar, Huang Yi-hsun, Ishii Kosei, Kimura Kiyotaka, Charles Muller, Jan Nattier, Otake Susumu, Joerg Plassen, Wei Daoru, Dorothy Wong, Zhu Qingzhi. Included are bibliographies of secondary sources on Huayan Buddhism in Western languages, Japanese, Chinese and Korean.
Currents and Countercurrents
Soon after the inception of Buddhism in the sixth or fifth century B.C.E., the Buddha ordered his small band of monks to wander forth for the welfare and weal of the many, a command that initiated one of the greatest missionary movements in world religious history. But this account of a monolithic missionary movement spreading outward from the Buddhist homeland of India across the Asian continent is just one part of the story. The case of East Asian Buddhism suggests another tale, one in which the dominant eastward current of diffusion creates important eddies, or countercurrents, of influence that redound back toward the center. These countercurrents have had significant, even profound, imp...
