You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
DaSilva draws together key essays dealing with the span of Spanish and Latin American arts, ranging from literature, music, film, and ballet to painting. Scholars and researchers involved with the scope of Spanish and Spanish American arts will find this collection of particular value. The selections center on basic themes including the icons of Spain, the use of characters from classic Spanish literature in performing and visual arts, romantic and modern Spanish writers and their influences, and the fusion of Mexican and Spanish culture. The selections center on ten basic themes: The early icons of Spain; the uses of Don Quixote from operas to painting; Don Juan is given a similar treatment...
This book is not the usual herbal; not a homeopathic handbook, a cookbook or a gardener’s consort; not even a compendium of history or lore, though these are its favourite pursuits. At heart, it is a tale of humanity’s poignant relationship with nature. Told in short vignettes, profusely illustrated and sprinkled with personal asides, it touches broadly on the role of plants in legend, in religion, in medicine, commerce, crafts and tradition, in literature, language, politics, beauty, in the rise and fall of empires, in food and manners, in love, in murder, and in crushing social passions. It selects from the trove of history and science moments that amaze, or shock, or move us to disbelief, and asks us to explore the uncanny bond between us and our non-speaking partners in creation.
They say that laughter is a purely human phenomenon, so exclusively ours that we brook no intruders except, of course, for the laughing hyena, the laughing jackass (officially known as the kookaburra bird of Australia), laughing matters, laughing gas, or the perennial laughing stock. But what is humor, that funny thing so varied in its colors and tones, so encompassing in its themes, so different from time to time and place to place? And when we poke fun, at whom are we really laughing? At Whom Are We Laughing? Humor in Romance Language Literatures is the selective product of a multi-national gathering of scholars sponsored by Hofstra University in Hempstead, New York, to explore humor acros...
In 2010, Hofstra University celebrated its 75th anniversary, inviting scholars to the campus to discuss the world as it was in the year Hofstra was founded. The conference “1935: The Reality and the Promise” provided a wide-ranging exploration of the 1930s with presentations, discussions, and events highlighting the arts, entertainment, society, politics, literature, and science in that momentous decade. This volume encompasses a selection of the most interesting and enlightening papers from this conference, providing both depth and breadth of coverage. By any measure, the 1930s was a pivotal decade in modern history – a time when the reality of current events and the foreshadowing of events to come tempered all promise. The tension between reality and promise is a recurrent theme in the chapters brought together here, as well as in the personalities and faces that came to define this decade.
André F. Nebe uses his humour structure analysis to make viewers' preferences and corresponding audiovisual offerings in films visible. Complex and multi-layered audiovisual (hypotactic) humour is used in the more successful films, while less successful films make simple (paratactic) humour offerings. The humour structure analysis offers insights into promising humour offerings and can also be used in the story development phase for writers, directors, producers and dramaturges.
An invaluable text in language and linguistics because it has a unique scope: a one-volume description of the Spanish language and its differences from English, and ranges from pronunciation and grammar to word meaning, language use, and social and dialectical variation. Designed for survey courses in Spanish linguistics with technical concepts explained in context for beginners in the field, Spanish/English Contrasts brings out the ways in which insights into the two languages have evolved as scholars have built on the work and research of others in the field. A bilingual glossary of linguistic terms is provided to facilitate discussion in either language. This second edition is thoroughly ...
Crafted with a wit and contemporary sensibility that make them playable half-a-millennium later, Jody Enders's translations of twelve medieval French farces take on the hilariously depressing—and depressingly hilarious—state of holy wedlock.
This book presents the first sustained analysis of the reception of the Aristotelian golden mean and related ideas of moderation in the literature and thought of early modern Spain (1500-1700). It explores the Golden-Age understanding of Aristotle's doctrine as a prolegomenon to literary study, and its allegorical reformulation in the myths of Icarus and Phaethon, before arguing that scrutiny of how the mean and the related concept of ethical moderation are treated by early modern authors represents a vital but underexploited tool for literary analysis. Particular attention is paid to detailed case studies of works by three canonical authors—Garcilaso, Calderón, Gracián—demonstrating the value of the mean as a locus of critical attention, as analysis of its presentation allows several long-standing disputes in the scholarship on these authors to be newly resolved.