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guide the Symbolist movement which dominated Russian literature for the first third of the twentieth century. A major poet, important playwright, and influential literary critic, she was also a sexual rebel who rejected traditional male/female roles as early as the 1890s. Vladimir Zlobin, her secretary and factotum from the time of her emigration to Paris after the revolution until her death in 1945, exposes the consequential inner workings of the literary circle around Gippius. His account of her three most important personal involvements--with her husband, the novelist and critic Dmitry Merezhkovsky; with the unattainable love of her life, the critic Dmitry Filosofov; and with the Devil, w...
Zinaida Gippius was a gifted poet, symbolist, essayist, and critic whose works emerged during the Russian Silver Age in St. Petersburg. This is her biography and a selection of her various works.
Zinaida Nikolaevna Gippius was a Russian poet, playwright, editor, short story writer and religious thinker, regarded as a co-founder of Russian symbolism and seen as "one of the most enigmatic and intelligent women of her time in Russia".
Though the Russian Symbolist movement was dominated by a concern with transcending sex, many of the writers associated with the movement exhibited an intense preoccupation with matters of the flesh. Drawing on poetry, plays, short stories, essays, memoirs, and letters, as well as feminist and psychoanalytic theory, Beyond the Flesh documents the often unexpected form that this obsession with gender and the body took in the life and art of two of the most important Russian Symbolists. Jenifer Presto argues that the difficulties encountered in reading Alexander Blok and Zinaida Gippius within either a feminist or a traditional, binary gendered framework derive not only from the peculiarities of their creative personalities but also from the specific Russian cultural context. Although these two poets engaged in gendered practices that, at times, appeared to be highly idiosyncratic and even incited gossip among their contemporaries, they were not operating in a vacuum. Instead, they were responding to philosophical concepts that were central to Russian Symbolism and that would continue to shape modernism in Russia.
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