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Black Matrilineage, Photography, and Representation: Another Way of Knowing questions how the Black female body, specifically the Black maternal body, navigates interlocking structures that place a false narrative on her body and that of her maternal ancestors. This volume, which includes a curated selection of images, addresses the complicated relationship between Blackness and photography and, in particular, its gendered dimension, its relationship to health, sexuality, and digital culture – primarily in the context of racialized heteronormativity. With over forty contributors, this volume draws on scholarly inquiry ranging from academic essays, interviews, poetry, to documentary practic...
Matricentric feminism seeks to make motherhood the business of feminism by positioning mothers' needs and concerns as the starting point for a theory and politic on and for the empowerment of women as mothers. Based on the conviction that mothering is a verb, it understands that becoming and being a mother is not limited to biological mothers or cisgender women but rather to anyone who does the work of mothering as a central part of their life. The Mother Wave, the first-ever book on the topic, compellingly explores how mothers need a matricentric mode of feminism organized from and for their particular identity and work as mothers, and because mothers remain disempowered despite sixty years...
This is an authoritative companion that is global in scope, recognizing the presence of African Diaspora artists across the world. It is a bold and broad reframing of this neglected branch of art history, challenging dominant presumptions about the field. Diaspora pertains to the global scattering or dispersal of, in this instance, African peoples, as well as their patterns of movement from the mid twentieth century onwards. Chapters in this book emphasize the importance of cross-fertilization, interconnectedness, and intersectionality in the framing of African Diaspora art history. The book stresses the complexities of artists born within, or living and working within, the African continent...
Focusing on fine art and documentary photography, this book provides a racially diverse and culturally inclusive version of photography history and its contemporary manifestations. Who’s documenting the evolution of photography as it is happening now from an inclusive, transnational perspective? This is the challenge this book aims to address. The collection is the print manifestation of the Dodge and Burn art photography blog actively published from 2007 to 2018, including a selection of 35 interviews with photographers and art professionals from underrepresented communities—those of African, Asian, Latinx/é and Native American heritage. It captures fascinating accounts of artists of color and the broad range of their challenges and successes: aspirations, photo series and photobooks, earning a living, discrimination, photography education, photographic practice, socio-political conversations, and more. Decolonization and Diversity in Contemporary Photography is a powerful collection that celebrates and exhibits the talents of underrepresented artists. It is essential reading for both photography students and aspiring photographers.
A three-decade-long documentary follows a group of middle-class New York City girls.
"This book introduces the basic concepts, current research guidelines and future perspectives on the current state of inclusive education by highlighting technological advances in applied e-learning, cognitive learning and education multimedia"--Provided by publisher.
Individuals with disabilities often have difficulty accomplishing tasks, living independently, and utilizing information technologies; simple aspects of daily life taken for granted by non-disabled individuals. Assistive Technologies: Concepts, Methodologies, Tools, and Applications presents a comprehensive collection of research, developments, and knowledge on technologies that enable disabled individuals to function effectively and accomplish otherwise impossible tasks. These volumes serve as a crucial reference source for experts in fields as diverse as healthcare, information science, education, engineering, and human-computer interaction, with applications bridging multiple disciplines.
A “powerful photo collection” documenting the Black Lives Matter movement and its parallels to the historic fight for civil rights (Publishers Weekly). The fight for equality continues, from 1960 to now. Combining portraits of past and present social justice activists with documentary images from recent protests throughout the United States, #1960Now sheds light on the parallels between the 1960s Civil Rights Movement and the Black Lives Matter movement of today. Shelia Pree Bright’s striking black-and-white photographs capture the courage and conviction of ‘60s leaders and a new generation of activists, offering a powerful reminder that the fight for justice is far from over. #1960Now represents an important new contribution to American protest photography. “Visually arresting . . . activism photography shot across the U.S., from Ferguson, Missouri, to Atlanta to Philadelphia.” —Essence “While millions of cellphone photos are generated each day—some forceful testaments to racial violence and injustice—few possess the grace and quiet lyricism of her images.” —The New York Times Lens blog
Annotated bibliography covering books, journal articles, working papers, and other material on topics in population and demography.
New Perspectives is the companion volume to the acclaimed Sourcebook, both of which accompany the Brooklyn Museum's exhibition We Wanted a Revolution: Black Radical Women, 1965-1985. New Perspectives includes new essays that place the exhibition's works in historical and contemporary contexts, poems by Alice Walker, and numerous illustrations.