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Picasso
Anlässlich des großen Picasso-Jubiläumsjahres rund um den 50. Todestag des Künstlers, wird der spektakuläre Band zu den frühen Gemälden und Skulpturen Pablo Picassos neu aufgelegt. Die Bilder aus der sogenannten Blauen und Rosa Periode bis hin zum frühen Kubismus, die zwischen 1901 und 1907 entstanden, sind allesamt Meilensteine auf Picassos Weg zum berühmtesten Künstler des 20. Jahrhunderts. 2019 zeigte die Fondation Beyeler in ihrer bis dato hochkarätigsten Ausstellung rund 80 Meisterwerke aus renommierten Museen und Privatsammlungen. Sie zählen nicht nur zu den kostbarsten Kunstwerken überhaupt, sondern auch zu den schönsten und emotionalsten der Moderne. Der Band macht damit das Frühwerk des Ausnahmekünstlers auf einmalige Art und Weise erlebbar.
Picasso: A Cubist Commission in Brooklyn
In 1910, Pablo Picasso began a series of 11 decorative paintings intended for the Brooklyn residence of American artist, collector, and critic Hamilton Easter Field. This publication is the first in-depth examination of this commission which, despite never being completed, offers new insights into a little-known chapter in Picasso’s art that coincided with a critical moment in the development of Cubism. Based on new research, including letters and archival material from both Picasso and Field, this book shows how the unrealized commission challenged Picasso to move beyond easel painting and adapt Cubist forms to an immersive aesthetic experience. Authors investigate the progression of Cubist ideas and show how Picasso used Easter Field’s proposal as a place of experimentation by both subverting and paying homage to decorative painting traditions. Published to coincide with Celebration Picasso, marking the fiftieth anniversary of the artist’s death, this compact volume provides a compelling look at what might have been, as well as a fascinating portrait of art and patronage in the early twentieth century.
The Story of Drawing
Drawing is at the heart of human creativity. The most democratic form of art-making, it requires nothing more than a plain surface and a stub of pencil, a piece of chalk or an inky brush. Our prehistoric ancestors drew with natural pigments on the walls of caves, and every subsequent culture has practised drawing - whether on papyrus, parchment or paper. Artists throughout history have used drawing as part of the creative process. While painting and sculpture have been shaped heavily by money and influence, drawing has always offered extraordinary creative latitude. Here we see the artist at his or her most unguarded. Susan Owens offers a glimpse over artists' shoulders - from Michelangelo, Rembrandt and Hokusai to Van Gogh, Käthe Kollwitz and Yayoi Kusama - as they work, think and innovate, as they scrutinise the world around them or escape into their imaginations. The Story of Drawing loops around the established history of art, sometimes staying close, at other times diving into exhilarating and altogether less familiar territory.
Cubism and the Trompe l’Oeil Tradition
The age-old tradition of pictorial illusionism known as trompe l’oeil (“deceive the eye”) employs visual tricks that confound the viewer’s perception of reality and fiction, truth and falsehood. This radically new take on Cubism shows how Pablo Picasso, Georges Braque, and Juan Gris both parodied and paid homage to classic trompe l’oeil themes and motifs. The authors connect Cubist works to trompe l’oeil specialists of earlier centuries by juxtaposing more than one hundred Cubist paintings, drawings, and collages with related compositions by old masters. The informed and engaging texts trace the changing status of trompe l’oeil over the centuries, reveal Braque’s training in artisanal trompe l’oeil techniques as an integral part of his Cubist practice, examine the material used in Gris’s collages, and discuss the previously unstudied trompe l’oeil iconography within Cubist still lifes.
Pablo Picasso
As early as the ancient Greeks, goddesses served as Muses for artistic creation. In essence, a creatively charged energy inspired the artist, leaving a unique and recognizable mark on the artwork. Picassos relationships with the women in his life was deeply formative, and he often represented them as Muses. He was particularly unabashed in the declaration of his feelings to one of them, Marie-Therese Walter, his youthful mistress of 1927. But at that point Picasso was still married to Olga Khokhlova, thus forced to practice the utmost discretion. His marriage to Olga made him increasingly frustrated with her imposed bourgeois expectations. As a release from this marital burden, Marie-Therese...
A Life of Picasso Volume IV
'A masterpiece' Sunday Times 'Magisterial... thrilling' Guardian 'Terrifically enjoyable' Daily Telegraph The beautifully illustrated, long-awaited final volume of John Richardson's magisterial Life of Picasso, drawing on original research from interviews and never-before-seen material in the Picasso family archives. The Minotaur Years opens in 1933 with a visit by the Hungarian-French photographer Brassaï to Picasso's château in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Picasso's lover Marie-Thérèse Walter. Picasso was contributing to André Breton's Minotaur magazine and spending time with the likes of Man Ray, Salvador Dalí, L...
Picasso the Foreigner
A New York Times Book Review Editors' Choice “Absorbing [and] astute . . . Cohen-Solal captures a facet of Picasso’s character long overlooked.” —Hamilton Cain, The Wall Street Journal “A beguiling read, as ingenious as it is ambitious . . . See Picasso and Paris shimmering with new light.” —Mark Braude, author of Kiki Man Ray: Art, Love, and Rivalry in 1920s Paris Born from her probing inquiry into Picasso’s odyssey in France, which inspired a museum exhibition of the same name, historian Annie-Cohen Solal’s Picasso the Foreigner presents a bold new understanding of the artist’s career and his relationship with the country he called home. Winner of the 2021 Prix Femina E...
Picasso's War
A riveting story of how dueling ambitions and the power of prodigy made America the cultural center of the world—and Picasso the most famous artist alive—in the shadow of World War II “[Eakin] has mastered this material. . . . The book soars.”—The New York Times Book Review (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: Vanity Fair, The New York Times Book Review, The New Yorker In January 1939, Pablo Picasso was renowned in Europe but disdained by many in the United States. One year later, Americans across the country were clamoring to see his art. How did the controversial leader of the Paris avant-garde break through to the heart of American culture? The answer begins a ...
A Life of Picasso IV: The Minotaur Years
The beautifully illustrated fourth volume of Picasso’s life—set in France and Spain during the Spanish Civil War and World War II—covers friendships with the surrealist painters; artistic inspiration around Guernica and the Minotaur; and his muses Marie-Thérèse, Dora Maar, and Françoise Gilot; and much more. Including 271 stunning illustrations and drawing on original and exhaustive research from interviews and never-before-seen material in the Picasso family archives, this book opens with a visit by the Hungarian-French photographer Brassaï to Picasso’s chateau in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Marie-Thérèse,...
Form and Meaning in Avant-Garde Collage and Montage
This book uses intermedial theories to study collage and montage, tracing the transformation of visual collage into photomontage in the early avant-garde period. Magda Dragu distinguishes between the concepts of collage and montage, as defined across several media (fine arts, literature, music, film, photography), based on the type of artistic meaning they generate, rather than the mechanical procedures involved. The book applies theories of intermediality to collage and montage, which is crucial for understanding collage as a form of cultural production. Throughout, the author considers the political implications, as collages and montages were often used for propagandistic purposes. This book combines research methods used in several areas of inquiry: art history, literary criticism, analytical philosophy, musicology, and aesthetics.
