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Picasso--the Early Years, 1892-1906
Shows and describes some of Picasso's earliest artwork and discusses influences on his work
A Picasso Anthology
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Picasso's Drawings, 1890-1921
A fresh perspective on the importance of Picasso's drawing practice and how he used his materials and graphic techniques to reinterpret past traditions and invigorate his art
Loving Picasso
Fernande Olivier was the first real love in the life of Picasso, and the years she spent with the great artist, 1904 to 1912, coincide with some of his most revolutionary work. "Loving Picasso" brings Oliver's memoirs to life with archival photos, reproductions of her own artwork, and a selection of superb portraits of her by Picasso himself. 82 illustrations, 10 in full color.
Picasso in Paris: 1900 - 1907
"Published on the occasion of the exhibition Picasso in Paris, 1900-1907, Eating Fire, Van Gogh Museum, Amsterdam, Feb.-May 2011"--T.p. verso.
Picasso
Published on the occasion of the exhibition at the Royal Academy of Arts, London and the Metropolitan Museum of Art, New York, this is the first publication in English dealing exclusively with Picasso's unique works in ceramic.
Picasso Ceramics
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A Life of Picasso Volume III
Drawing on exhaustive research from interviews and unpublished archival material, John Richardson has produced the long-awaited third volume of the definitive biography, full of original, groundbreaking new insights into Picasso's life and work. His lively and incisive analysis of the work meshes seamlessly with the rich and detailed narrative of this complex and sensual life. The Triumphant Years reveals Picasso at the height of his powers, producing not only the costumes and sets for such Diaghilev Ballets Russes productions as Parade and Tricorne but some of his most important sculpture and paintings. These are tumultuous years, Picasso torn between marital respectability with Olga, the Russian ballerina who was his first wife, and the erotic passion of his mistress, Marie-Therese. This extraordinary biography ends with the completion of a dramatic series of drawings of the crucifixion. From then on the horrors of war would replace any private horrors, leading ultimately to Picasso's masterpiece, Guernica.
A Life of Picasso I: The Prodigy
From the foremost Picasso scholar, the first volume of his Life of Picasso draws on Richardson's close friendship with Picasso, his own diaries, the collaboration of Picasso's widow Jacqueline, and unprecedented access to Picasso's studio and papers to arrive at a profound understanding of the artist and his work. Combining meticulous scholarship with irresistible narrative appeal, this definitive biography of one of the greatest artists of the twentieth century details the years 1881-1906, from Picasso's beginnings in Spain to age twenty-five in Paris. With more than 800 extraordinary black-and-white illustrations.
Picasso: Painting the Blue Period
New insights into Picasso's Blue Period, through innovative technology that reveals hidden compositions, motifs and alterations, plus hitherto unknown information on the artist's materials and process This lavishly illustrated volume reexamines Pablo Picasso's famous Blue Period (1901-04) in paintings, works on paper and sculpture. Relying on new information gleaned from technical studies performed on The Blue Room (Le Tub) (1901), Crouching Beggarwoman (La Miséreuse accroupie) (1902) and The Soup (La Soupe) (1903), this multidisciplinary volume combines art history and advanced conservation science in order to show how the young Picasso fashioned a distinct style and a pronounced artistic identity as he adapted the artistic lessons of fin-de-siècle Paris to the social and political climate of an economically struggling Barcelona. Essays, a chronology and a summary of conservation findings contextualize Picasso's experimental approach to painting during the Blue Period. A major contribution to the burgeoning field of technical art history, Picasso: Painting the Blue Period advances new scholarship on one of the most critical episodes in 20th-century modernism.
