Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Someone Died in My House
There were sudden appearances at first that gnawed at the soul of Ben’s home, like sickening blood splatter and chards of mirrors, seductive shadows, and wounded cries. Something invaded his finely balanced lifestyle and threatened his emotional equilibrium. He knew he was at war. Graphic novelist, Ben Needham wakes up every day braced against something in his house, something that won’t leave. He works hard to create a near-perfect life for the three of them – himself, his daughter, Annie, and their dog, da Vinci. But when these disturbances blow out of control, Ben finds a team of forensic paranormalists who perform an autopsy on Ben’s house. Together they wade into its soulless history of murder and a cataclysmic haunting that redefines where life ends, and death begins. Ben surrenders what’s left of his fragile will to free his home from its terrifying anarchist and courageously opens a door he never knew existed, always asking himself what price he'd pay for truth, justice, and unforgettable love.
Trendy Fascism
Popular music plays a major role in mobilizing citizens, especially youth, to fight for political causes. Yet the presence of music in politics receives relatively little attention from scholars, politicians, and citizens. White power music is no exception, despite its role in recent high-profile hate crimes.Trendy Fascism is the first book to explore how contemporary white supremacists use popular music to teach hate and promote violence. Nancy S. Love focuses on how white power music supports "trendy fascism," a neo-fascist aesthetic politics. Unlike classical fascism, trendy fascism involves a hyper-modern cultural politics that exploits social media to create a global white supremacist c...
Comparative Central European Holocaust Studies
The work presented in the volume in fields of the humanities and social sciences is based on 1) the notion of the existence and the "describability" and analysis of a culture (including, e.g., history, literature, society, the arts, etc.) specific of/to the region designated as Central Europe, 2) the relevance of a field designated as Central European Holocaust studies, and 3) the relevance, in the study of culture, of the "comparative" and "contextual" approach designated as "comparative cultural studies." Papers in the volume are by scholars working in Holocaust Studies in Australia, Germany, Hungary, Israel, Serbia, the United Kingdom, and the US.
Parliamentary Papers
None
