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Love After You Have Gone
“I had to pull myself together. Life before death was my right too, wasn’t it? Love after you have gone… Maybe that’s the reason. So I can forget about you and have a decent love; but no, I couldn’t. Once again, I couldn’t pull it off. Not that I couldn’t forget you. They just wouldn’t let me. You know who they are. Just because you left, doesn’t mean the country changed. Just because you died, the monsters who wrote our death sentences didn’t die along with you!” In one of Istanbul’s most lively streets one night, a drunk, well-dressed young man slips in front of a closed store with its shutters pulled down. Although the body can not move, his mind was still alive. E...
Forbidden Voice
A story of a borderless love that blooms from wounded souls, and a scream that echoes in the darkness of a deep well. * But the real reason was not to flee death. There are things worse than death. I came here as I feared that my daughter and I were going to become spoils of war. * Right now you can only reach this part of my body, shroud, but you’re not going to wrap my entire body, because whatever happens, I’m not going to die! * Which one was going to whet his curiosity? What difference was his question from asking a lamb that had tumbled down a cliff, "Which rock split your head open?"
Yavuz Argıt armağanı
İçindekiler TAKDİM " 7 ÖNSÖZ " 9 A) Hayatı ve Koleksiyonu Salih Sandal, "Yavuz Argıt (1934-2009)" " 11 "Yavuz Argıt Kaynakçası" " 21 Fatih Çardaklı - Cemil Cahit Can, "Melâmî meşrep, Kalender, Mazanne Bir Denizcinin Terekesi: Yavuz Argıt Koleksiyonu" " 23 B) Hâtıralar - Anılar Salih Sandal, "Yavuz Argıt'tan Hâtıralar" " 27 Ali Yücel Yürük, "Çerakise-i Kafkas'tan Nev i Şahsına Münhasır Bir Bibliyofil: Yavuz Argıt" " 31 Nurettin Albayrak, "Merhum Yavuz Argıt ve Bir Hâtıra" " 41 M. Emin Albayrak, "Benim Kahramanımsın" " 45 Mehmed Niyazi, " Dost Bir İnsandı" " 47 C) Makaleler İsmail E. Erünsal, "Osmanlı Vakıf Kütüphaneleri" " 51 Ahmed Nezih Galitekin, ...
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What We See in the Smoke
The world we know is coming to an end. How will we connect in the strange and frightening one that's coming to take its place? What We See in the Smoke twists the genres of realism and science fiction to tell the future history of Toronto, a story that stretches from this millennium to the next. Ben Berman Ghan spins a web of these lives and many more, blending the familiar with the surreal until both give way to the story of ordinary people in extraordinary times.
