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Imagining the Human Condition in Medieval Rome
The first monograph on the Vita Humana cycle at Tre Fontane, this book includes an overview of the medieval history of the Roman Cistercian abbey and its architecture, as well as a consideration of the political and cultural standing of the abbey both within Papal Rome and within the Cistercian order. Furthermore, it considers the commission of the fresco cycle, the circumstances of its making, and its position within the art historical context of the Roman Duecento. Examining the unusual blend of images in the Vita Humana cycle, this study offers a more nuanced picture of the iconographic repertoire of medieval art. Since the discovery of the frescoes in the 1960s, the iconographic programm...
Biography of a Landmark, The Chora Monastery and Kariye Camii in Constantinople/Istanbul from Late Antiquity to the 21st Century
With its reconversion to a mosque in August 2020, the former monastic church of Saint Saviour in Chora entered yet another phase of its long history. The present book examines the Chora/Kariye Camii site from a transcultural perspective, tracing its continuous transformations in form and function from Late Antiquity to the present day. Whereas previous literature has almost exclusively placed emphasis on the Byzantine phase of the building’s history, including the status of its mosaics and paintings as major works of Palaiologan culture, this study is the first to investigate the shifting meanings with which the Chora/Kariye Camii site has been invested over time and across uninterrupted alterations, interventions, and transformations. Bringing together contributions from archaeologists, art historians, philologists, anthroplogists and historians, the volume provides a new framework for understanding not only this building but, more generally, edifices that have undergone interventions and transformations within multicultural societies. The open access publication of this book has been published with the support of the Swiss National Science Foundation.
Guidebook to Film
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Towards Rewriting?
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The Urban Lifeworld
This volume of scholarly essays, the results of detailed research, contributes to our understanding of the cultural role of cities by offering a new approach to the analysis of urban experience.
Sculpture and Touch
Since the Renaissance, at least, the medium of sculpture has been associated explicitly with the sense of touch. Sculptors, philosophers and art historians have all linked the two, often in strikingly different ways. In spite of this long running interest in touch and tactility, it is vision and visuality which have tended to dominate art historical research in recent decades. This book introduces a new impetus to the discussion of the relationship between touch and sculpture by setting up a dialogue between art historians and individuals with fresh insights who are working in disciplines beyond art history. The collection brings together a rich and diverse set of approaches, with essays tackling subjects from prehistoric figurines to the work of contemporary artists, from pre-modern ideas about the physiology of touch to tactile interaction in the museum environment, and from the phenomenology of touch in recent philosophy to the experimental findings of scientific study. It is the first volume on this subject to take such a broad approach and, as such, seeks to set the agenda for future research and collaboration in this area.
The Art of the Genoese Colonies of the Black Sea Basin (1261-1475)
Rafał Quirini-Popławski offers here the first panorama of the artistic phenomena of the Genoese outposts scattered around the Black Sea, an area whose cultural history is little known. The artistic creativity of the region emerges as extraordinarily rich and colorful, with a variety of heterogeneous, hybrid and intermingled characteristics. The book questions the extent to which the descriptor "Genoese" can be applied to the settlements’ artistic production; Quirini-Popławski demonstrates that, despite entrenched views of these colonies as centres of Italian and Latin culture, it was in fact Greek and Armenian art that was of greater importance.
The Christina Psalter
This book is the first detailed analysis of an exquisitely illuminated thirteenth-century Parisian manuscript (The Royal Library, Copenhagen) which was owned by Christina of Norway (1234-1262), daughter of Håkon IV and wife of Philip of Castile and León. New information is provided about the Psalter?'s medieval and later components, its liturgical and other functions, missing illuminations and texts, as well as its provenance and date. Furthermore, the stylistic and iconographic similarities between the Psalter and some of the most important manuscripts illuminated in Paris in the Period, like the three-volume Moralized Bibles, are discussed. Suggestions also are made about the meanings the texts and images might have had for their intended audience.
Authority and the Sacred
His illuminating analysis of religious change as the art of the possible has a wide relevance for other periods and regions.
