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Samuel Richardson emerges in Fysh's analysis as a man on the cusp of change - in the organization of the printing industry and of labor generally, and in the nature of the literary text - and his work as a printer as well as his literary works (the two being fundamentally inseparable) come to be seen as instrumental in and representative of these changes.
Adding a lively voice to Richardsonian studies, Carol Houlihan Flynn traces the complex workings of a major literary imagination. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Since the publication of his novel Pamela; or Virtue Rewarded in 1740, Samuel Richardson's place in the English literary tradition has been secured. But how can that place best be described? Over the three centuries since embarking on his printing career the 'divine' novelist has been variously understood as moral crusader, advocate for women, pioneer of the realist novel and print innovator. Situating Richardson's work within these social, intellectual and material contexts, this new volume of essays identifies his centrality to the emergence of the novel, the self-help book, and the idea of the professional author, as well as his influence on the development of the modern English language, the capitalist economy, and gendered, medicalized, urban, and national identities. This book enables a fuller understanding and appreciation of Richardson's life, work and legacy, and points the way for future studies of one of English literature's most celebrated novelists.
Shy and diffident in company, when addressing his friends on paper, Samuel Richardson was at ease, warm and direct. He enjoyed writing letters, and placed a high value on them as a means of deepening friendships. At his best, his letters have the ease of conversation among intimates, not the polished prose of an "author" concerned strictly with form or style. The letters in this volume have been selected from the period in which Richardson was writing his great novels. The editor has been at pains to select those letters or passages from letters that bear on the themes and characters of the novels, on his craftsmanship and literary judgments, and on his own personality. While Richardson returns again and again to certain topics, some letters or excerpts are included because they treat the same matter from a different point of view, or with new observations. The needs of the student and scholar have been uppermost in the mind of the editor, who has tried to include the most helpful texts, if at times at the cost of some repetition.
Recent years have witnessed renewed critical interest in the works of Samuel Richardson. This volume brings together a group of well-respected scholars to examine how and why the works of Richardson continue to intrigue us. As a whole, the essays reveal Richardson to be a writer constantly contradicting himself, striving not to be misunderstood. His attraction and appeal to deconstructionists, reader-response critics, Marxists, and feminists are analyzed and made comprehensible. Grappling with issues which continue to trouble us, Richardson appears as an artist writing to our historical moment, engaging us in a conversation now joined by the essays in this collection. Offering a variety of critical perspectives, New Essays on Samuel Richardson sheds light on the importance of this writer and reveals his relevance to the modern day.
Regarded by some as the leading novelist of the Eighteenth Century, Samuel Richardson is best known for his epistolary novels, which changed the course of English literature. This comprehensive eBook presents the complete works of Samuel Richardson, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Richardson’s life and works * Concise introductions to the novels and other texts * ALL 4 novels, with individual contents tables * Images of how the books were first printed, giving your eReader a taste of the original texts * Excellen...
"This novel (published 1740) created an epoch in the history of English fiction, and, with its successors, exerted a wide influence upon Continental literature. It is appropriately included in a series which is designed to form a group of studies of English life by the masters of English fiction. For it marked the transition from the novel of adventure to the novel of character—from the narration of entertaining events to the study of men and of manners, of motives and of sentiments. In it the romantic interest of the story (which is of the slightest) is subordinated to the moral interest in the conduct of its characters in the various situations in which they are placed. Upon this aspect of the “drama of human life” Richardson cast a most observant, if not always a penetrating glance. His works are an almost microscopically detailed picture of English domestic life in the early part of the eighteenth century." -Preface
Samuel Richardson (1689-1761), the English writer and printer best known for his epistolary novels, including Pamela (1740) and Clarissa (1748), had preserved copies of his extensive correspondence with a view to its eventual publication, and these volumes, edited by Anna Laetitia Barbauld and first published in 1804, contain her selection from his papers. Richardson became a printer's apprentice in 1706 and for the rest of his life managed a successful printing business in addition to writing his highly popular and influential novels. After the success of Pamela, Richardson regularly corresponded with leading contemporary literary figures including Henry Fielding and Samuel Johnson. The letters provide fascinating insights into Richardson's life and literary and social activities, as well as discussions of current affairs. Volume 1 contains a biography of Richardson by Mrs Barbauld; this is followed by his correspondence with friends such as Aaron Hill and the Scots printer William Strahan.
In developing a new gender theory for analyzing Samuel Richardson's three major novels - Pamela, Clarissa, and Sir Charles Grandison - the author argues that these novels of sexual threat expose, sometimes unwillingly, the extraordinary labor required to construct and maintain the eighteenth-century ideology of gender, that apparently natural dream of perfect symmetry between the sexes. The instability of that model is revealed notably in Richardson's fascination with cross-gender identification and other instances of transgressive desires. The author demonstrates that these violations of the supposedly unbreachable barriers between masculinity and femininity produce what is most moving and ...