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Innovative Medical Technology Based on Artificial Cells, Including its Different Configurations
Artificial Cells are not to reproduce biological cells but to prepare an artificial system for possible uses in medicine and other areas. Many of the ideas on artificial cells are being extensively applied and extended by researchers worldwide, resulting in rapid and exciting progress and discoveries. Different configurations include using emulsion methods and microfluidizers to form microscopic or nano dimension cells called artificial cells, synthetic cells, microcapsules, nanocapsules, liposomes, microparticles, nanoparticles, polymersomes, etc. Macro dimensions artificial cells are used for bioencapsulated cells. Soluble nanobiotherapeutics can be formed by crosslinking proteins and enzymes or by PEG conjugation. The principle of artificial cell has now evolved into nanomedicine, biotherapeutics, blood substitutes, drug delivery, enzyme/gene therapy, cancer therapy, cell/stem cell therapy, nanoparticles, liposomes, bioencapsulation, replicating synthetic cells, cell encapsulation, biosorbent/immunosorbent hemoperfusion/plasmapheresis, regenerative medicine, encapsulated microbe, COVID_19 vaccine, COVID_19 therapy, nanobiotechnology, nanotechnology and other areas.
Screen Interiors
"Covering everything from Hollywood films to Soviet cinema, London's queer spaces to spaceships and horror architecture, Screen Interiors presents an array of innovative perspectives on film design. Authors explore how design can facilitate action and amplify tensions, how rooms are employed as structural devices and how designed spaces can contribute to the construction of identities. With a lens on class, sexuality and identity across a range of films including Twilight of a Woman's Soul (1913), Caravaggio (1986), and Passengers (2016), and illustrated with film stills throughout, this book showcases methodological approaches for the study of film and design history"--
Style City
Learn how fashion developed in Britain from the early 1970s, when designer fashion scarcely existed, to the present day, when London ranks alongside Paris, New York and Milan as a global fashion capital.
The Isabella Stewart Gardner Museum
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
A Companion to Irish Literature
Featuring new essays by international literary scholars, the two-volume Companion to Irish Literature encompasses the full breadth of Ireland's literary tradition from the Middle Ages to the present day. Covers an unprecedented historical range of Irish literature Arranged in two volumes covering Irish literature from the medieval period to 1900, and its development through the twentieth century to the present day Presents a re-visioning of twentieth-century Irish literature and a collection of the most up-to-date scholarship in the field as a whole Includes a substantial number of women writers from the eighteenth century to the present day Includes essays on leading contemporary authors, including Brian Friel, Seamus Heaney, Eavan Boland, Roddy Doyle, and Emma Donoghue Introduces readers to the wide range of current approaches to studying Irish literature
Sessional Papers
None
The Cambridge Companion to Canadian Literature
A fully revised second edition of this multi-author account of Canadian literature, from Aboriginal writing to Margaret Atwood.
As Far as I Know
Take comfort from this. You have a book in your hand not a loaded gun or a parking fine or an invitation card to the wedding of the one you should have married. Roger McGough is a poet at once directly accessible and a master of the art of surprise, in which the everyday wold is refreshingly and, at times, darkly reimagined. Although a distinct sense of menace inhabits many of the poems, he faces the uncertainties and fears of ageing with characteristic wit and courage. One of the most striking poems in this new collection is a reworking of his famous 1960s poem 'let Me Die a Youngman's Death' this time entitled 'Not For Me a Youngmans's Death'. He is a poet of many voices, the Scottish hard man, the smug husband on his deathbed, the odious self-deceiver of the title poem. McGough is equally 'At Home with the Surrealists' as he is on an underground station waiting for a train that will never arrive. Always inventive and irrepressibly comic, the warmth and honesty of the voice reaffirms his position as a true original.
