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Innovative Medical Technology Based on Artificial Cells, Including its Different Configurations
Artificial Cells are not to reproduce biological cells but to prepare an artificial system for possible uses in medicine and other areas. Many of the ideas on artificial cells are being extensively applied and extended by researchers worldwide, resulting in rapid and exciting progress and discoveries. Different configurations include using emulsion methods and microfluidizers to form microscopic or nano dimension cells called artificial cells, synthetic cells, microcapsules, nanocapsules, liposomes, microparticles, nanoparticles, polymersomes, etc. Macro dimensions artificial cells are used for bioencapsulated cells. Soluble nanobiotherapeutics can be formed by crosslinking proteins and enzymes or by PEG conjugation. The principle of artificial cell has now evolved into nanomedicine, biotherapeutics, blood substitutes, drug delivery, enzyme/gene therapy, cancer therapy, cell/stem cell therapy, nanoparticles, liposomes, bioencapsulation, replicating synthetic cells, cell encapsulation, biosorbent/immunosorbent hemoperfusion/plasmapheresis, regenerative medicine, encapsulated microbe, COVID_19 vaccine, COVID_19 therapy, nanobiotechnology, nanotechnology and other areas.
Style City
Learn how fashion developed in Britain from the early 1970s, when designer fashion scarcely existed, to the present day, when London ranks alongside Paris, New York and Milan as a global fashion capital.
Screen Interiors
Covering everything from Hollywood films to Soviet cinema, London's queer spaces to spaceships, horror architecture and action scenes, Screen Interiors presents an array of innovative perspectives on film design. Essays address questions related to interiors and objects in film and television from the early 1900s up until the present day. Authors explore how interior film design can facilitate action and amplify tensions, how rooms are employed as structural devices and how designed spaces can contribute to the construction of identities. Case studies look at disjunctions between interior and exterior design and the inter-relationship of production design and narrative. With a lens on class, sexuality and identity across a range of films including Twilight of a Woman's Soul (1913), The Servant (1963), Caravaggio (1986), and Passengers (2016), and illustrated with film stills throughout, Screen Interiors showcases an array of methodological approaches for the study of film and design history.
The Isabella Stewart Gardner Museum
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
The Cambridge Companion to Canadian Literature
A fully revised second edition of this multi-author account of Canadian literature, from Aboriginal writing to Margaret Atwood.
As Far as I Know
Take comfort from this. You have a book in your hand not a loaded gun or a parking fine or an invitation card to the wedding of the one you should have married. Roger McGough is a poet at once directly accessible and a master of the art of surprise, in which the everyday wold is refreshingly and, at times, darkly reimagined. Although a distinct sense of menace inhabits many of the poems, he faces the uncertainties and fears of ageing with characteristic wit and courage. One of the most striking poems in this new collection is a reworking of his famous 1960s poem 'let Me Die a Youngman's Death' this time entitled 'Not For Me a Youngmans's Death'. He is a poet of many voices, the Scottish hard man, the smug husband on his deathbed, the odious self-deceiver of the title poem. McGough is equally 'At Home with the Surrealists' as he is on an underground station waiting for a train that will never arrive. Always inventive and irrepressibly comic, the warmth and honesty of the voice reaffirms his position as a true original.
Jane Austen on Screen
This collection of essays explores the literary and cinematic implications of translating Austen's prose into film. Contributors raise questions of how prose fiction and cinema differ, of how mass commercial audiences require changes to script and character, and of how continually remade films evoke memories of earlier productions. The essays represent widely divergent perspectives, from literary 'purists' suspicious of filmic renderings of Austen to film-makers who see the text as a stimulus for producing exceptional cinema. This comprehensive study will be of interest to students and teachers alike.
The Essential Paradise Lost
After its publication in 1667, John Milton's Paradise Lost was celebrated throughout Europe as a supreme achievement of the human spirit. Now it is little read. To bring readers back to Milton's masterpiece, John Carey has shortened it to a third of its original length. In this fascinating reinterpretation, Carey reveals new insights about Milton's sources of inspiration, while exploring divided readings of the work's key characters. The Essential Paradise Lost presents the epic's greatest poetry, with linking passages that preserve its cosmic sweep - from the superhuman defiance of a ruined archangel to a pair of tragic lovers, bewildered to find themselves responsible for the fate of the whole human race.
Sessional Papers
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