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Hungarian Poems
25 excellent poems by 15 nineteenth-century Hungarian poets (with guidance on pronunciation and interpretation) and short, photographic biographies of the poets.
Women’s Literary Tradition and Twentieth-Century Hungarian Writers
In Women’s Literary Tradition and Twentieth-Century Hungarian Writers, Anna Menyhért presents the cases of five women writers whose legacy literary criticism has neglected or distorted, thereby depriving succeeding generations of vital cultural memory and inspiration. A best-selling novelist and poet in her time, Renée Erdős wrote innovatively about women's experience of sexual love. Minka Czóbel wrote modern trauma texts only to pass into literary history branded, as a result of ideological pressure in communist times, as an 'ugly woman'. Ágnes Nemes Nagy, celebrated for her ‘masculine’ poems, felt she must suppress her ‘feminine’ poems. Famous writer’s widow Ilona Harmos Kosztolányi’s autobiographical writing tackles the physical challenges of girls' adolescence, and offers us a woman’s thoughtful Holocaust memoir. Anna Lesznai, émigrée and visual artist, wove together memory and fiction using techniques from patchworking and embroidery.
Hungarian Poetry (Folk, Classical and Modern) in English
An accomplished poet and the author of Canadian Hungarian Literature (1897 - 2017), Frank Veszely brings to the English reader the rich treasure-house of folk, classical, and modern Hungarian poetry (1000 - 2020). The translations read as if they have been done by the original poets, preserving not only their original inspiration and content, but the form, the rhythm and the rhyme patterns of the originals, a feat thought to be impossible by many, but here they are: as fresh as the ink has not dried on them yet. From the poems emerges a nation’s love of freedom with the breath and depth of humanity impossible not to respond to.
Staging the Nation: Opera and Nationalism in 19th-Century Hungary
Opera was a prominent political forum and a potent force for nineteenth-century nationalism. As one of the most popular forms of entertainment, opera could mobilize large crowds and became the locus of ideological debates about nation-building. Despite its crucial role in national movements, opera has received little attention in the context of nationalism. In Staging the Nation: Opera and Nationalism in 19th-Century Hungary, Krisztina Lajosi examines the development of Hungarian national thought by exploring the theatrical and operatic practices that have shaped historical consciousness. Lajosi combines cultural history, political thought, and the history of music theater, and highlights the role of the opera composer Ferenc Erkel (1810-1893) in institutionalizing national opera and turning opera-loving audiences into a national public.
The Princeton Encyclopedia of Poetry and Poetics
Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
Comparative Hungarian Cultural Studies
The studies presented in the collected volume Comparative Hungarian Cultural Studies— edited by Steven Totosy de Zepetnek and Louise O. Vasvari—are intended as an addition to scholarship in (comparative) cultural studies. More specifically, the articles represent scholarship about Central and East European culture with special attention to Hungarian culture, literature, cinema, new media, and other areas of cultural expression. On the landscape of scholarship in Central and East Europe (including Hungary), cultural studies has acquired at best spotty interest and studies in the volume aim at forging interest in the field. The volume's articles are in five parts: part one, "History Theory...
Hungarian Authors; a Bibliographical Handbook
This exceptional bibliography, a pioneer work in its field, surveys Hungarian literature from its beginnings to 1965. Tezla begins his coverage of each author with a brief biographical account offering pertinent data on family background, education, and literary activities. The sketch provides observations on the writings of the author and his place in Hungarian literature, and a record of the languages into which his works have been translated. Further material on the author is divided into annotated sections noting bibliographical, biographical, and critical studies.
The Village Notary
This is a romantic novel set in the early 19th century Hungary, where a notary falls in love with a noblewoman. As their love story unfolds, it offers an insightful look at the socio-political climate of the time. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Karl Polanyi in Vienna
Karl Polanyi's belief that the greatest threat to freedom was a poorly administered economy led him to an economics that was more existential and human-centered. Part I of this book develops Polanyi's thinking for its significance today through a selection of papers on re-reading his major work entitled "The Great Transformation," Part II looks at the life and work of Ilona Duczynska (Polanyi's wife), political activist, writer and translator and important influence over Karl and his work. Kenneth McRobbie, a poet and historian who teaches at the University of British Columbia, is the editor of "Humanity, Society and Commitment," Kari Polanyi Levitt, emeritus professor at McGill University, is the editor of "The Life and Work of Karl Polanyi,"
