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Famine [Gorta]
Two plays about the Irish potato famine during the 19th century. The first (Famine [An Gorta Mór] deals with the major famine of 1845 where a million died and a million left for England and the New World over a four-year period. All this against a background of food being produced and exported to England. On top of that, landlords also took the opportunity to rid the land of troublesome peasants. This is the story of a family caught up in the struggle to survive. The second play, (Belfast Famine [An Gorta Beag]) concerns the Irish famine of 1879 which was the last great famine to hit Ireland. Unlike earlier catastrophes, notably the great hunger of 1845-49, the 1879 famine (sometimes called the "mini-famine" or An Gorta Beag) was smaller in scale but disastrous for all that. Belfast Famine explores the effects of this famine on the lives of Belfast people who had to cope with the influx of refugees from the country desperate to escape to a better land. Hunger and disease visited itself upon the Belfast population with devastating results. A story of our times.
Holodomor and Gorta Mór
Ireland’s Great Famine or ‘an Gorta Mór’ (1845–51) and Ukraine’s ‘Holodomor’ (1932–33) occupy central places in the national historiographies of their respective countries. Acknowledging that questions of collective memory have become a central issue in cultural studies, this volume inquires into the role of historical experiences of hunger and deprivation within the emerging national identities and national historical narratives of Ireland and Ukraine. In the Irish case, a solid body of research has been compiled over the last 150 years, while Ukraine’s Holodomor, by contrast, was something of an open secret that historians could only seriously research after the demise o...
The Irish Dresser
In mid-1840's Ireland, Nora McCabe is separated from her family while hiding in a cherished Irish dresser which is being loaded on to a ship sailing for America; thus beginning a journey of personal growth for Nora that proves as rigorous as the 3-month journey across the sea.
Workshops in Perception
Originally published in 1981, Workshops in Perception is designed to enable students to devise their own experiments in sensory processes or perception. The thirty workshops include over a hundred different possible student projects covering the full range of the senses and interactions among them. The topics range from simple perimetry to the perception of language and social situations. In addition to more traditional topics such as illusions, adaptation and after-effects, they include lifespan perceptual development, musical illusions, and even a consumer-oriented study of road atlases. Each of the ten major sections has a general introduction to the topic with suggestions for reading. Ea...
Shillelagh
For centuries the Irish have been associated with a stick weapon called the Shillelagh. And for generations of Irishmen, the Shillelagh was a badge of honor - a symbol of their courage, their martial prowess and their willingness to fight for their rights and their honor. In modern popular culture, the Shillelagh has acquired a less appealing image, one that attempts to declaw the Irish through negative racial stereotypes of the Victorian era, which depict the Irish as harmless club-weilding Leprecauns or drunken, half-witted brawlers. John Hurley's illuminating study forever alters our view of this much maligned and misunderstood cultural icon by revealing the true martial arts culture of the Irish people, its history, evolution and decline and the resulting effects on the Shillelagh - the most powerful and controversial of Irish icons.
Beyond Single Stories
Every social studies curriculum tells a story. It is increasingly apparent that new stories are needed to guide us through the multiple and intersecting crises that have come to define our times. This accessible volume supports student teachers, teachers, and teacher educators to engage critically with the stories that social studies curricula tell and neglect to tell, particularly those that relate and contribute to the root causes of contemporary social and ecological injustices. A balanced and inclusive curriculum necessitates a broad range of stories and perspectives, not just the master narratives of dominant groups. Incorporating a range of pedagogical approaches and spanning a diversi...
Death within the Text
The book tackles the challenging theme of death as seen through the lens of literature and its connections with history, the visual arts, anthropology, philosophy and other fields in humanities. It searches for answers to three questions: what can we know about death; how is death socialised; and how and for which purposes is death aesthetically shaped? Unlike many other publications, the volume does not endorse the fallacy of over-simplifying death by seeing it either in an exclusively positive light or by reducing it to a purely literary figure. Using literature’s potential to stimulate critical thinking, many contemporary stereotypical configurations of death and dying are debunked, and many hitherto unforeseen ways in which death functions as a complex trigger of meaning-making are revealed. The book proves that death is an inexhaustible source of meanings which should be understood as peremptorily plural, discontinuous, problematic, competitive, and often conflictual. It offers original contributions to the field of death studies and also to literary and cultural studies.
Neo-Victorianism and Medievalism
Bringing together neo-Victorian and medievalism scholars in dialogue with each other for the first time, this collection of essays foregrounds issues common to both fields. The Victorians reimagined the medieval era and post-Victorian medievalism repurposes received nineteenth century tropes, as do neo-Victorian texts. For example, aesthetic movements such as Arts and Crafts, which looked for inspiration in the medieval era, are echoed by steampunk in its return to Victorian dress and technology. Issues of gender identity, sexuality, imperialism and nostalgia arise in both neo-Victorianism and medievalism, and analysis of such texts is enriched and expanded by the interconnections between the two fields represented in this groundbreaking collection.
