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Some Other Mother
'...Like the albatross, we need a safe place we can be. But somewhere we're together, my Mama and my me...' High up in a Glasgow tower block, ten-year-old Star and her mother await the outcome of their claim for asylum. As Mama’s mind fragments under the pressure of their unknown future, Star constructs a poetic and fantastical world of her own. Some Other Mother is a story of loss and survival, which explores the traumatising impact of the asylum system, regardless of the outcome.
Blow Off
"I’m not going to tell you her hair colour. Her skin colour. Her name. All you need to know, right now, is that she is a person.” An explosive new piece of guerilla-gig-theatre from Julia Taudevin (‘one of the most exciting forces in Scottish theatre’ Scotsman) and Kim Moore with Susan Bear and Julie Eisenstein from Glasgow's hottest indie-pop duo Tuff Love. This fierce and playful feminist work explores the psychology of extremism with haunting melodies and progressive punk riffs.
Chalk Farm
Shortlisted for the Brighton Fringe Emerging Talent Award 2013 at the Edinburgh Fringe. Maggie is just in from Sainsbury’s Local to make a quick sandwich for Jamie. He likes his cheese and pickle. With the crusts off. A good heart, that lad. Not like those other boys around here. You know what boys are like. Laws unto themselves once they reach that age. But it’s those other boys, really. Not Jamie. A boy with a Batman lunch box? What harm is he to anybody? Co-written by AJ Taudevin and Kieran Hurley, Chalk Farm explores love, responsibility, and the culture of blame and retribution surrounding the 2011 English riots.
Mrs Barbour's Daughters
In 1915, Mary Barbour led 20,000 women in Glasgow’s Rent Strikes. Mary Barbour’s Army fought against evictions from their homes with bundles of washing, cooking pots and wooden spoons. They won. 100 years on, an old woman sits in a sinking Govan tenement, battling her memories and reaching for an idea of a time which put all of us first. The 2014 Oran Mor production, in association with the Traverse, played to sold-out audiences. This year the play returns to Glasgow to join the city's celebrations of the centenary of the Rent Strikes when the Clydeside blazed with political activism. Contains foreword, essays and reflections from Karine Polwart, Catriona Burness, John Foster and Mary Lockhart.
Chalk Farm
"Shortlisted for the Brighton Fringe Emerging Talent Award 2013 at the Edinburgh Fringe. Maggie is just in from Sainsbury's Local to make a quick sandwich for Jamie. He likes his cheese and pickle. With the crusts off. A good heart, that lad. Not like those other boys around here. You know what boys are like. Laws unto themselves once they reach that age. But it's those other boys, really. Not Jamie. A boy with a Batman lunch box? What harm is he to anybody? Co-written by AJ Taudevin and Kieran Hurley, Chalk Farm explores love, responsibility, and the culture of blame and retribution surrounding the 2011 English riots"--About the play.
Theatre History Studies 2017, Vol. 36
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice.
Rebuilding Education & Health in a Post Conflict Transitional Nation
This book introduces and discusses a variety of educational and health issues and provides insights and glimpses into the broad political, economic and socio cultural contexts of education and health in Timor-Leste.
Human Rights and the Borders of Suffering
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book argues for greater openness in the ways we approach human rights and international rights promotion, and in so doing brings some new understanding to old debates. Starting with the realities of abuse rather than the liberal architecture of rights, it casts human rights as a language for probing the political dimensions of suffering. Seen in this context, the predominant Western models of rights generate a substantial but also problematic and not always emancipatory array of practices. These models are far from answering the questions about the nature of political community that ...
