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A. James Speyer
In 1938 James Speyer departed Harvard's School of Design in order to become Mies van der Rohe's first American graduate student at the Armour Institute of Technology in Chicago. During the 40s and 50s he taught architecture under Mies while at the same time, as an architect in his own right, he completed houses in Chicago and Pittsburgh that represented the cutting edge of new glass-and-steel design. In 1957 Speyer traveled to Greece on a Fulbright fellowship, where he taught at the Polytechneon in Athens; upon returning to America, he became Curator of Twentieth Century Painting and Sculpture at the Art Institute of Chicago. He held this position for the next twenty-five years, and his tenure witnessed over 125 exhibitions and a remarkable expansion to the Institute's permanent collection. This volume includes a biographical essay by Franz Schulze and six accounts from Speyer's friends and colleagues who remember different aspects of his life and work. Floor plans and photographs direct special attention to Speyer's extraordinary, ultra-modernist designs—not only for houses but also for innovative exhibitions at the Art Institute during the 60s and 70s.
A. James Speyer
In 1938 James Speyer departed Harvard's School of Design in order to become Mies van der Rohe's first American graduate student at the Armour Institute of Technology in Chicago. During the 40s and 50s he taught architecture under Mies while at the same time, as an architect in his own right, he completed houses in Chicago and Pittsburgh that represented the cutting edge of new glass-and-steel design. In 1957 Speyer traveled to Greece on a Fulbright fellowship, where he taught at the Polytechneon in Athens; upon returning to America, he became Curator of Twentieth Century Painting and Sculpture at the Art Institute of Chicago. He held this position for the next twenty-five years, and his tenure witnessed over 125 exhibitions and a remarkable expansion to the Institute's permanent collection. This volume includes a biographical essay by Franz Schulze and six accounts from Speyer's friends and colleagues who remember different aspects of his life and work. Floor plans and photographs direct special attention to Speyer's extraordinary, ultra-modernist designs—not only for houses but also for innovative exhibitions at the Art Institute during the 60s and 70s.
Mies Van Der Rohe
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The Fall of the House of Speyer
The dramatic story of the last fifty years of the Speyer banking dynasty, a Jewish family of German descent, is surprisingly little known today, yet at the turn of the 20th century, Speyer was the third largest investment banking firm in the United States, behind only Morgan and Kuhn, Loeb. It had branches in London, Frankfurt and New York, and the projects it financed included the Southern Pacific Railroad, the London Underground and the infrastructure of the new Cuban republic. Later, it was the first major banking firm to finance Germany's Weimar Republic, as well as providing League of Nations loans to Hungary, Greece and Bulgaria. Yet, the firm was doomed by the nationalist passions aro...
Perspective: Selected Essays on Space in Art and Design
'Perspective: Selected Essays on Space in Art and Design' explores the ways in which visual and physical space have been designed and experienced in different cultures. This book amplifies the significance of space as a design element by examining its implications in various contexts through a global perspective of art and design.
Murals of New York City
A celebration of New York City's most treasured public art, now available in a smaller format for a lower price. Whether it's cocktails at the Carlyle, taking in a show at Lincoln Center, traveling via subway, or flying out of LaGuardia's venerable Marine Air Terminal, uptown to downtown to the outer boroughs, the art created for the walls of New York City's bars, hotels, offices, government buildings, and schools have themselves created the identities of the rooms they live in. Murals of New York City was the first book to curate more than thirty of the most important, influential, and impressive murals found within all five boroughs. Full-color images of works such as Paul Helleu's Mural o...
Resisting Postmodern Architecture
Since its first appearance in 1981, critical regionalism has enjoyed a celebrated worldwide reception. The 1990s increased its pertinence as an architectural theory that defends the cultural identity of a place resisting the homogenising onslaught of globalisation. Today, its main principles (such as acknowledging the climate, history, materials, culture and topography of a specific place) are integrated in architects’ education across the globe. But at the same time, the richer cross-cultural history of critical regionalism has been reduced to schematic juxtapositions of ‘the global’ with ‘the local’. Retrieving both the globalising branches and the overlooked cross-cultural roots...
American Splendor
Originally published in 2002, American Splendor: The Residential Architecture of Horace Trumbauer is the first and only extensive study of this master creator of the American Great House. This revised edition features three new chapters and over 50 new colour photographs.
Modern in the Middle
The first survey of the classic twentieth-century houses that defined American Midwestern modernism. Famed as the birthplace of that icon of twentieth-century architecture, the skyscraper, Chicago also cultivated a more humble but no less consequential form of modernism--the private residence. Modern in the Middle: Chicago Houses 1929-75 explores the substantial yet overlooked role that Chicago and its suburbs played in the development of the modern single-family house in the twentieth century. In a city often associated with the outsize reputations of Frank Lloyd Wright and Ludwig Mies van der Rohe, the examples discussed in this generously illustrated book expand and enrich the story of th...
