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The first modern study of Hartley Coleridge, showing that he deserves our attention not as the son of Samuel Taylor Coleridge, but as a literary presence in his own right.
The first modern study of Hartley Coleridge, showing that he deserves our attention not as the son of Samuel Taylor Coleridge, but as a literary presence in his own right.
In this introduction to Wordworth's work, Andrew Keanie explores the poet's politics, his relationship with his sister Dorothy and Samuel Taylor Coleridge, as well as his synthesis of poetry and philosophy, his startlingly modern strategy of image-building and quest for literary immortality.
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Argues that in order to appreciate the extraordinary application and industry of Wordsworth, one does not need to risk forgetting the extraordinariness of Coleridge's bursts of creativity and, in order to appreciate Coleridge, one does not need to simultaneously react against a 'dull', 'dutiful' Wordsworth.
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This largely text-focused study promotes the best energies of a more Romantic view of a key Romantic figure.