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So far, in the West, the dissemination of Bakhtinian thought has proceeded with little or no awareness of contemporary approaches to Bakhtin in his homeland. This collection offers unprecedented access to leading Russian research in juxtaposition with important Western scholarship on Bakhtin. Taking its cue from Bakhtin as founder of dialogical criticism, Face to Face aims to stimulate dialogue across disciplines and national boundaries.
Includes entries for maps and atlases.
The first edition, highly thought of, was out of print a few months after its release. The second edition, with improved binding, is on offer at the same price as the first. Rene Wellek, Emeritus Professor of Yale University, recipient of numerous honorary doctorates (Oxford, Harvard, Rome, Columbus and Munich) is one of the most eminent scholars of our time, regarded by many as the greatest living expert on literary theory and criticism, as well as a most generous teacher. His book, Theory of Litera- ture, written in collaboration with Austin Warren, has been trans- lated into twenty-two languages. His innumerable publications culminate in the standart work History of Modern Literary Criticism, of which the first four volumes have already appeared. 77 well known international scholars, in fact his friends, colleagues and former students have contributed the articles to this Festschrift."
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More than a hundred years after the publication of Cours de linguistique générale , Saussure is still considered the ‘revolutionary founder’ of structuralism. Saussure’s name is almost symbiotically connected with the idea of structuralism. This volume opens the view from different disciplinary perspectives for a Saussurean thinking also beyond the boundaries of the structuralist epistemes.
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The special issue of International Yearbook of Futurism Studies for 2015 will investigate the role of Futurism in the œuvre of a number of Women artists and writers. These include a number of women actively supporting Futurism (e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva Kühn), others periodically involved with the movement (e.g. Valentine de Saint Point, Aleksandra Ekster, Mary Swanzy), others again inspired only by certain aspects of the movement (e.g. Natalia Goncharova, Alice Bailly, Giovanna Klien). Several artists operated on the margins of a Futurist inspired aesthetics, but they felt attracted to Futurism because of its support for women artists or because of its ...
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