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When Aaron meets Jayson Brunsdon, one of Australia’s leading fashion figures, they both dream of becoming fathers one day – a difficult and risky prospect few same-sex couples at the time dare. Together they build the Jayson Brunsdon brand from nothing into one of the most eponymous labels in Australia, worn by Crown Princess Mary of Denmark, Nicole Kidman, Naomi Watts and Jennifer Hawkins. Jayson quickly rises to fame, survives cancer, and the label traverses the highs and lows of the fashion industry. They lose everything, and rebuild it all again. In 2014, a story on 60 Minutes inspires them to take the plunge into parenthood via surrogacy – a controversial act in Australia, but a p...
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George Jones left Scotland in 1857 and arrived in Victoria, Australia in early 1858 when the fledgling colony was almost seven years old. His wife Margaret and their first five children left Scotland to join him in 1863. After a journey of almost five months by ship, bullock dray and on foot the family was reunited on a dirt track in the Ovens Valley in Victoria in September of 1863. They set about building their new lives in the gold-mining town of Harrietville - nestled at the foot of Mt. Feathertop - including bringing four more Australian-born children into the world. George and Margaret spent the rest of their lives in Harrietville as true pioneers as the town grew and prospered. Who we...
eGirls, eCitizens is a landmark work that explores the many forces that shape girls’ and young women’s experiences of privacy, identity, and equality in our digitally networked society. Drawing on the multi-disciplinary expertise of a remarkable team of leading Canadian and international scholars, as well as Canada’s foremost digital literacy organization, MediaSmarts, this collection presents the complex realities of digitized communications for girls and young women as revealed through the findings of The eGirls Project (www.egirlsproject.ca) and other important research initiatives. Aimed at moving dialogues on scholarship and policy around girls and technology away from established binaries of good vs bad, or risk vs opportunity, these seminal contributions explore the interplay of factors that shape online environments characterized by a gendered gaze and too often punctuated by sexualized violence. Perhaps most importantly, this collection offers first-hand perspectives collected from girls and young women themselves, providing a unique window on what it is to be a girl in today’s digitized society.
The notion of woman as the Devil's accomplice is prominent throughout Christian history and was used to legitimise the subordination of wives and daughters. In the 19th century, rebellious females performed counter-readings of this misogynist tradition and Lucifer was reconceptualised as a feminist liberator. Per Faxneld shows how this surprising Satanic feminism was expressed in a wide range of 19th-century texts and artistic productions