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Abdilatif Abdalla: Poet in Politics
Abdilatif Abdalla: Poet in Politics celebrates the work of Abdilatif Abdalla, one of Kenya’s most well-known poets and a committed political activist. It includes commentary essays on aspects of Abdilatif Abdalla’s work and life, through inter-weaving perspectives on poetry and politics, language and history; with contributions by East African writers and scholars of Swahili literature, including Ngugi wa Thiong’o, Said Khamis, Ken Walibora, Ahmed Rajab, Mohamed Bakari, and Sheikh Abdilahi Nassir, among others. Abdalla became famous in 1973, with the publication of Sauti ya Dhiki (Voice of Agony), a collection of poems written secretly in prison during three years of solitary confine...
The Imaginative Vision of Abdilatif Abdalla’s Voice of Agony
First English literary translation of Abdilatif Abadalla's influential Voice of Agony
The Imaginative Vision of Abdilatif Abdalla’s Voice of Agony
"The extraordinary Swahili poetry collection Sauti ya Dhiki, in English Voice of Agony, is a collection of prison poems composed by Abdilatif Abdalla between 1969 and 1972. He originally wrote the poems on toilet paper while incarcerated by the government of Jomo Kenyatta for sedition as a result of his political activism. Imaginative Vision is the first complete literary translation into English—translated by the late Kenyan novelist and scholar Ken Walibora Waliaula and edited by Annmarie Drury—of one of the most esteemed and influential collections of Swahili poetry of the twentieth century. Yet 'Imaginative Vision' is also something more. Even as it centers in a literary translation ...
Decolonial Aesthetics II
This book features writing by 17 authors from Germany and from African and Latin American countries on highly diverse aesthetic phenomena as seen from their own different points of view. The texts in this volume all deal with the imperative of ‘decolonization’: they try to highlight aesthetic strategies for the (re)discovery of unthematized, misappropriated, transcultural and even transcontinental histories and memories and aesthetic practices that are absent from or too little perceived within national consciousnesses. Novels, poems and musical performances from the East African region are analysed as intertwined histories of the Indian Ocean and its different languages. Artworks of the Black Atlantic and perceptions of Africa are discussed from, for example, Brazilian perspectives. Within the German context, decolonisation strategies in exhibition practices in ethnological or art museums developed by Nigerian artists are evaluated; new terms such as ‘dividuation’ are proposed to describe these contemporary composite-cultural entanglements, and so on. A stimulating, wide-ranging and heterogeneous portrait of contemporary interwoven world cultures!
In This Fragile World
The present volume is a pioneering collection of poetry by the outstanding Kenyan poet, intellectual and imam Ustadh Mahmmoud Mau (born 1952) from Lamu island, once an Indian Ocean hub, now on the edge of the nation state. By means of poetry in Arabic script, the poet raises his voice against social ills and injustices troubling his community on Lamu. The book situates Mahmoud Mau’s oeuvre within transoceanic exchanges of thoughts so characteristic of the Swahili coast. It shows how Swahili Indian Ocean intellectual history inhabits an individual biography and writings. Moreover, it also portrays a unique African Muslim thinker and his poetry in the local language, which has so often been ...
Dictionary of African Biography
From the Pharaohs to Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490-1468 BC) and Hannibal, the military commander and strategist of Carthage (243-183 BC), to Kwame Nkrumah of Ghana (1909-1972), Miriam Makeba and Nelson Mandela of South Africa (1918 -).
Ushairi wa Abdilatif Abdalla
A literary critique of the poetry of Abdilatif Abdalla.
Shuwari
Haji Gora Haji, born in 1933 on the island of Tumbatu, Zanzibar, represents a living archive of poetic and philosophical knowledge, which is transformed into verses with a characteristic voice enriched by dialectal features (from Tumbatu and Unguja). As a recognition of his life-long commitment to Swahili language and literature, the editors, Flavia Aiello and Irene Brunotti, with Nathalie Arnold Koenings for translation, decided to work hard on conceiving a publishing project of Shuwari, his poetical anthology or diwani, fashioned as a bilingual Swahili-English edition which, along with the poems, could offer some analytical insights into Haji Gora Haji's artistry.
Narrating the Self and Nation in Kenyan Autobiographical Writings
Author Samuel Ndogo offers an understanding of the autobiographical genre in contemporary Kenyan literature. He draws attention to life-writing as a form of cultural re-imagination in post-colonial Africa. Taking into consideration contradictions and paradoxes of referentiality in life writing, this book examines the autobiographies of Jaramogi Oginga Odinga, Ngugi wa Thiong'o, Wangari Maathai, and Bethwell Ogot. The analysis dwells on self-representations in correlation with imaginations of the 'Kenyan nation' in these works. Thus, the study gives a critical account into the modern memoir: the forms and styles it takes, the ways in which these authors tend to understand and present their lives. (Series: Contributions to African Research / Beitr�¤ge zur Afrikaforschung, Vol. 63) [Subject: African Studies, Literary Criticism]����
