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The early sixteenth century saw a major crisis in Christian-Jewish relations: the attempt to confiscate and destroy every Jewish book in Germany. This unprecedented effort to end the practice of Judaism throughout the empire was challenged by Jewish communities, and, unexpectedly, by Johannes Reuchlin (1455-1522), the founder of Christian Hebrew studies. In 1510, Reuchlin wrote an extensive, impassioned, and ultimately successful defense of Jewish writings and legal rights, a stunning intervention later acknowledged by a Jewish leader as a ''miracle within a miracle.'' The fury that greeted Reuchlin's defense of Judaism resulted in a protracted heresy trial that polarized Europe. The decade-...
This book is a project in comparative history, but along two distinct axes, one historical and the other historiographical. Its purpose is to constructively juxtapose the early modern European and Chinese approaches to historical study that have been called "antiquarian." As an exercise in historical recovery, the essays in this volume amass new information about the range of antiquarian-type scholarship on the past, on nature, and on peoples undertaken at either end of the Eurasian landmass between 1500 and 1800. As a historiographical project, the book challenges the received---and often very much under conceptualized---use of the term "antiquarian" in both European and Chinese contexts. R...
Martin Luther and Buddhism: Aesthetics of Suffering carefully traces the historical and theological context of Luther's breakthrough in terms of articulating justification and justice in connection to the Word of God and divine suffering. Chung critically and constructively engages in dialogue with Luther and with later interpreters of Luther such as Barth and Moltmann, placing the Reformer in dialogue not only with Asian spirituality and religions but also with emerging global theology of religions.
The story of the man and his career.
Published on the occasion of Jonathan Horowitz's first solo exhibition in a UK institution, this catalogue combines newly commissioned artworks for Dundee Contemporary Arts and works from the past two decades of the artist's practice. It takes as its focus the function and use of art, particularly minimalist art, in relation to socio-political reality. Combining the imagery and ambivalence of pop art with the engaged criticality of conceptualism, Horowitz is highly regarded for tackling contentious political issues of the day, as well as the political silences of postwar art. This publication reveals an artist with a sharp, radical mind who cuts through our safety nets with defiant and brilliant art. With contributions from Exhibitions Curator Graham Domke, Dundee Contemporary Arts; Pati Herling, art restitution lawyer and independent curator based in New York and Horowitz's older sister Leslie Kolbrener, who resides in Jerusalem.
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