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World War I began disastrously for the English when the Germans routed them at Mons, Belgium, on August 23 and 24, 1914. On September 29, 1914, the Anglo-Welsh writer Arthur Machen fictionalized this encounter in a newspaper story, claiming that the English were saved by the appearance of angelic bowmen sent by St. George. But his fiction became accepted as fact. The believers--notables G. K. Chesterton, Arthur Conan Doyle and C. S. Lewis, along with almost forgotten figures like Harold Begbie, Phyllis Campbell and T. W. H. Crosland--wrote pamphlets, testimonies and poems, performed music and created motion pictures attesting to the existence of the guardian angels. This history of the Angels of Mons controversy for the first time collects and annotates Machen's work and the responses it inspired, most of which have not been available since their publication a century ago. Also reprinted for the first time are several of Machen's responses to the believers, including "The Angels of Mons: Absolutely My Last Word on the Subject" and "The Return of the Angels: This Time They Are at Ypres."
First Published in 2005. Japan is often called the land of flowers. This book gives an account of those flowers that occur in the country that are most remarkable for their beauty and profusion and that are most typically Japanese. There are also pages on landscape gardening.
This book explores the parallel and yet profoundly different ways of seeing the outside world and engaging with the foreign at two important moments of dislocation in Chinese history, namely, the early medieval period commonly known as the Northern and Southern Dynasties (317–589 CE), and the nineteenth century. Xiaofei Tian juxtaposes literary, historical, and religious materials from these two periods in comparative study, bringing them together in their unprecedentedly large-scale interactions, and their intense fascination, with foreign cultures. By examining various cultural forms of representation from the two periods, Tian attempts to sort out modes of seeing the world that inform these writings. These modes, Tian argues, were established in early medieval times and resurfaced, in permutations and metamorphoses, in nineteenth-century writings on encountering the Other. This book is for readers who are interested not only in early medieval or nineteenth-century China but also in issues of representation, travel, visualization, and modernity.