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Translation in the Arab World
The Translation Movement of the Abbasid Period, which lasted for almost three hundred years, was a unique event in world history. During this period, much of the intellectual tradition of the Greeks, Persians, and Indians was translated into Arabic—a language with no prior history of translation or of science, medicine, or philosophy. This book investigates the cultural and political conflicts that translation brought into the new Abbasid state from a sociological perspective, treating translation as a process and a product. The opening chapters outline the factors involved in the initiation and cessation of translational activity in the Abbasid period before dealing in individual chapters...
Identity and Difference
"Papers presented at the Choice and difference in translation international conference, organized by the Faculty of English Studies, University of Athens, December, 3-6, 2003"--Pref. and acknowledgements.
Violence and the Oedipal Unconscious
Representations of violence are often said to generate cathartic effects, but what does “catharsis” mean? And what theory of the unconscious made this concept so popular that it reaches from classical antiquity to the digital age? In Violence and the Oedipal Unconscious, Nidesh Lawtoo reframes current debates on (new) media violence by tracing the philosophical, aesthetic, and historical vicissitudes of the “catharsis hypothesis” from antiquity to modernity and into the present. Drawing on theorists of mimesis from Aristotle to Nietzsche, Bernays to Breuer, Freud to Girard to Morin, Lawtoo offers a genealogy of the relationship between violence and the unconscious with at least two aims: First, this study gives an account of the birth of the Oedipal unconscious—out of a “cathartic method.” Second, it provides new theoretical foundations to solve a riddle of (new) media violence that may no longer rest on Oedipal solutions. In the process, Lawtoo outlines a new theory of violence, mimesis, and the unconscious that does not have desire as a via regia, but rather, the untimely realization that all affects spread contagiously and thus mimetically.
In Praise of Song
This volume offers a reconstruction of the court culture of the taifa kings of al-Andalus (11th century A.D.), using both visual and textual evidence. A focus of particular attention is the court of the Banū Hūd at Zaragoza, and that dynasty's palace, the Aljafería. Principle written sources are not histories and chronicles, but the untranslated poetic anthologies of al-ḥimyarī and al-Fatḥ ibn Khāqān. The first part of the book addresses taifa visual and literary languages, with especial emphasis on connections between the literary and visual aspects of taifa aesthetics. The sections on the Aljafería's ornamental program will be of particular interest, not only to historians of Is...
History as Prelude
A collection of essays that offers a narrative of the intellectual, commercial, spiritual, philosophical, scientific, and aesthetic real-world creative engagement among Jews, Muslims, and some Christians in daily life in Spain and around the Mediterranean.
Religion, Mysticism and Modern Arabic Literature
One of the significant phenomena in modern Arabic literature since the 1960s has been the use of mystical concepts, figures and motifs for the expression of contemporary experiences, philosophies and ideologies. The book investigates this phenomenon mainly with regard to the creative poetic process and the use of literary masks. It also deals with the complicated relationship between Arabic literature and Islam as well as with the literary activities by religious traditional circles. In a welter of publications committed Muslim authors try to prove that there is no inherent contradiction between art and Islam, and at the same time to lay the theoretical foundations for an "Islamist" poetics encompassing the various branches of literary production. Within the secular canonical circles, however, these activities and texts are considered extremely marginal and none of the authors concerned has gained any canonical status. The growing number of cases, in which attempts at censorship on religious and moral grounds have been challenged, prove also that Arabic literature has become more and more secular.
Performativity and Performance
From the age of Aristotle to the age of AIDS, writers, thinkers, performers and activists have wresteled with what "performance" is all about. At the same moment, "performativity"--a new concept in language theory--has become a ubiquitous term in literary studies. This volume grapples with the nature of these two key terms whose traces can be found everywhere: in the theatre, in the streets, in philosophy, in questions of race and gender, and in the sentences we speak.
The Principles of Sufism
'A'ishah al-Ba'uniyyah of Damascus was one of the great women scholars in Islamic history. Born into a prominent family of pious scholars and Sufi devotees, 'A'ishah received a thorough religious education and memorized the Quran at age eight. A mystic and a prolific poet and writer, she composed more works in Arabic than any other woman before the twentieth century. Yet despite her extraordinary literary and religious achievements, 'A'ishah al-Ba'uniyyah remains largely unknown. For the first time, her key work, The Principles of Sufism, is available in English translation. The Principles of Sufism is a mystical guide book to help others on their spiritual path. Outlining the four principle...
Death and Desire
This innovative study of the use of gender in the Apocalypse of John pushes against the boundaries of feminist biblical interpretation. Based on sociopolitical and literary readings of texts, it presents a challenging new way of reading the Apocalypse. Using the concept of catharsis, Tina Pippin focuses on two themes central to the Apocalypse—death and desire. She examines the role of the female in fantastic literature and reviews the social construction of gender and of the female body. In this interdisciplinary investigation, Pippin incorporates fantasy theory and the function of the female in the fantastic to expose the Apocalypse’s ambiguous representation of women.
Making Sense of Shakespeare
He argues that Lear's "howl," for example, targets and rewards physical hearing, physical speaking, and their accompanying emotions as somatically connected to current or remembered sensations in mouth, throat, and lungs."--BOOK JACKET.
