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Muqarnas
"Muqarnas" is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. "Muqarnas" 26 contains articles on a variety of topics that span and transcend the geographic and temporal boundaries that have traditionally defined the history of Islamic art and architecture. Contributors include Robert McChesney, Mattia Guidetti, Marcus Schadl, Christian Gruber, Katia Cytryn-Silverman, Doris Abouseif, Olga Bush, Emine Fetvaci, Moya Carey, Bernard O'Kane, Hadi Maktabi, Nadia Erzini and Stephen Vernoit.
In Praise of Song
This volume offers a reconstruction of the court culture of the taifa kings of al-Andalus (11th century A.D.), using both visual and textual evidence. A focus of particular attention is the court of the Banū Hūd at Zaragoza, and that dynasty's palace, the Aljafería. Principle written sources are not histories and chronicles, but the untranslated poetic anthologies of al-ḥimyarī and al-Fatḥ ibn Khāqān. The first part of the book addresses taifa visual and literary languages, with especial emphasis on connections between the literary and visual aspects of taifa aesthetics. The sections on the Aljafería's ornamental program will be of particular interest, not only to historians of Is...
The Dog Park Club
Raymond Chandler meets David Sedaris—the first in a dynamite new cozy series that's "a lot of fun, full of unexpected depths and twists." —Josh Bazell, bestselling author of Beat the Reaper Amy Carter is missing. And there's no one less capable of finding her than Max Bravo. Max Bravo is a mid-rung opera singer with a diva's towering ego. And he doesn't do favors. Not until the day he visits a troubled friend in Berkeley and offers to walk her dog. Max quickly discovers the local dog park. It's an odd, private little world—a preserve for neighborhood crackpots and lay-abouts, and, incidentally, their dogs. But, the park regulars are friendly. Clubby. They even serve beer. Before long, Max can't stay away. When one of the regulars disappears, Max's interest in the dog park turns to obsession. Amy Carter – beautiful, adored, pregnant – has vanished. The circumstances bode the worst. What happened to Amy? The dog park club has brewed up a theory. And they mean to prove it.
Under The Influence
A volume of eleven innovative essays on cultural production in medieval Castile, blending original archival work with a rigorous consideration of comparative methodology for the study of religions and languages in contact.
Birds of Wonder
Fiction. One August morning while walking her dog, high-school English teacher Beatrice Ousterhout stumbles over the dead body of a student, Amber Inglin, who was to play the lead in Beatrice's production of John Webster's Jacobean tragedy, The Duchess of Malfi. Barely able to speak, Beatrice calls the police. That is to say, she calls her daughter. Jes is a detective with two years of experience under her belt and a personal life composed primarily of a string of one-night-stands, including the owner of the field in which Beatrice has found Amber. In addition to a house and a field, Child Services lawyer Liam Walsh owns a vineyard, where Amber Inglin, along with a handful of other teens who've had difficulty negotiating the foster system, was an intern. Set among the hills and lakes of upstate New York and told in six vibrantly distinct voices, this complex and original narrative chronicles the rippling effects of a young girl's death through a densely intertwined community. By turns funny, fierce, lyrical and horrifying, BIRDS OF WONDER probes family ties, the stresses that break them, and the pasts that never really let us go.
Courting the Alhambra
The ceiling paintings in the Hall of Justice of the Alhambra have not received serious scholarly attention for the past thirty years, perhaps due to their difficult incorporation into a discrete program of Christian vs. Islamic art, categories that until recently remained unchallenged themselves. The Alhambra itself continues to elicit the interest of many scholars, and several recent interpretations of the function of the Palace of the Lions, which houses the paintings, have been put forth. This collection brings together art historians, literary critics and historians who suggest new ways of approaching the paintings through their immediate social, historical, architectural and literary contexts, proposing a porous and flexible model for the production of culture in Iberia. Contributors are Jerrylin Dodds, Ana Echevarria, Jennifer Borland, Rosa María Rodríguez Porto, Oscar Martin, Amanda Luyster, Cynthia Robinson and Simone Pinet.
Eros and Sexuality in Islamic Art
Dedicated to the topic of eroticism and sexuality in the visual production of the medieval and early modern Muslim world, this volume offers new insights and methodological models that extend our understanding of erotic and sexual subjects in the Islamic tradition. The essays shed light on the diverse socio-cultural milieus of erotic images, on the motivations underlying their production, and on the responses generated by their circulation.
Soon We Will Not Cry
The success of the civil rights movement demanded extraordinary courage of ordinary people. During her short life, Ruby Doris Smith Robinson became one of the most important leaders in the black struggle for equality. By age 24, Robinson's intelligence, brashness, and bravery had elevated her to a top leadership role in the Student Non-Violent Coordinating Committee (SNCC). Cynthia Griggs Fleming's beautifully written biography of this incredible woman demonstrates that Robinson's activism wasn't limited to racial equality--she was an equally eloquent and powerful voice for women's rights. Fleming provides new insights into the success, failures, peculiar contradictions, and unique stresses of Robinson's life. This book will appeal to all readers interested in African American and women's history.
A Companion to Islamic Art and Architecture, 2 Volume Set
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments ...
