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Dustin Hoffman
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Michael Douglas
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Humphrey Bogart
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Michael J. Fox
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Schuld und Sühne?
Der Beginn des Zweiten Weltkrieges liegt mehr als 50 Jahre zurück. Bis heute haben aber die Fragen, mit denen dieses katastrophale Ereignis alle Deutschen konfrontiert, nicht an Bedeutung und Aktualität verloren. Vielmehr fordert das öffentliche Gedächtnis mit jedem Generationswechsel neue Bilder von diesem Krieg. Im Rückblick auf den Zeitraum seit 1945 läßt sich ein Zyklus von Erinnern, Verstummen und erneutem Erinnern ausmachen, der bereits dreifach durchlaufen worden ist. Insofern ist der Umgang mit dem Thema in den deutschen Medien gleich nach Kriegsende auch für die Gegenwart aufschlußreich. Deutungen und Formen des Gedenkens, die heute praktiziert werden, haben selber inzwisch...
Film – An International Bibliography
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
Todessturz
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The Dark Mirror
"Lutz Koepnick's The Dark Mirror provides one of the finest, most compelling and suggestive accounts to date of the multiple locations of German cinema between Hitler and Hollywood. Charting the shifting relationships between institutional contexts and individual acts of reception, Koepnick persuasively shows how the German cinema and its filmmakers—both in exile and in Nazi Germany—contributed to a fragile, stratified, indeed, "nonsynchronous" public sphere."—Patrice Petro, author of Aftershocks of the New: Feminism and Film History "Lutz Koepnick's brilliant study debunks the received wisdom concerning Nazi German and Hollywood film of the 1930s and 40s. Using detailed analyses of 8 films, with special focus on sound and music, he insists upon the disjointed contexts and uneven relationships of American and German filmmaking. Historically nuanced and theoretically savvy, this remarkable book offers something for everyone: Americanists, Germanists, historians, students of cinema sound and music, those interested in debates between art and popular forms, and European and Hollywood production."—Caryl Flinn, author of Strains of Utopia
Idols of Modernity
Focusing on stardom during the 1920s, this title reveals strong connections & dissonances in matters of storytelling & performance that can be traced both backwards & forwards, from the silent era to the emergence of sound.
Popular Historiographies in the 19th and 20th Centuries
Popular presentations of history have recently been discovered as a new field of research, and even though interest in it has been growing noticeably very little has been published on this topic. This volume is one of the first to open up this new area of historical research, introducing some of the work that has emerged in Germany over the past few years. While mainly focusing on Germany (though not exclusively), the authors analyze different forms of popular historiographies and popular presentations of history since 1800 and the interrelation between popular and academic historiography, exploring in particular popular histories in different media and popular historiography as part of memory culture.
