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Il libro descrive e affronta alcune questioni tutt’ora aperte nel campo della costruzione di indicatori compositi. Si propone come complemento a riferimenti consolidati quali OECD handbook of composite indicators, e approfondisce temi che saranno certo oggetto di ampio sviluppo nel prossimo futuro, soprattutto nell’ambito degli indicatori di benessere e progresso umano. La prima parte del libro illustra lo stato dell’arte delle metodologie per la costruzione di indicatori compositi mentre la seconda parte affronta specifici nodi critici piu’ recenti. Il libro fornisce strumenti utili sia a ricercatori con una conoscenza limitata degli indicatori compositi, che a studiosi interessati ad un aggiornamento su temi più avanzati.
Visual Rhetorics of Communist Romania: Life under the Totalitarian Gaze offers personal accounts and theoretical insight into the Cold War era when little information about life beyond the Iron Curtain could transpire to the West. Adriana Cordali develops a unique visual rhetorical theory for analyzing communist totalitarian propaganda and the resistance to it, and reveals the deliberate, strategic in/visibilities the rhetoric of power engaged in. Building upon the local history, ideology, and politics of the regime imposed after WWII, she identifies propaganda’s rhetorical features, visual tropes, and symbols and examines striking photographs and print materials from Ceaușescu’s regime (1966-1989) and the time of regime change (1989-1990), as well as an award-winning Romanian film that depicts women’s life at the time. Converging visual rhetoric and culture with history and politics, Visual Rhetorics of Communist Romania is a first book of this kind and will interest readers of rhetoric and communication, visual rhetoric, and political discourse in the region.
How do historical cataclysms affect the social conditioning of young people? How do individuals born in the same period come to form an identifiable "generation"? How do coming-of-age stories create a sense of community and generational identity? Coming of Age under Martial Law: The Initiation Novels of Poland's Last Communist Generation addresses these questions, examining a selection of post-1989 coming-of-age novels authored by the generation of Polish writers whose transition from adolescence to adulthood coincided with Poland's transition from communism to liberal democracy.BR> Svetlana Vassileva-Karagyozova argues that when cataclysms of any nature overlap with the sensitive period of ...
A major scholarly collection of international research on the reception of James Joyce in Europe
Vivienne Brough-Evans proposes a compelling new way of reevaluating aspects of international surrealism by means of the category of divin fou, and consequently deploys theories of sacred ecstasy as developed by the Collège de Sociologie (1937–39) as a critical tool in shedding new light on the literary oeuvre of non-French writers who worked both within and against a surrealist framework. The minor surrealist genre of prose literature is considered herein, rather than surrealism's mainstay, poetry, with the intention of fracturing preconceptions regarding the medium of surrealist expression. The aim is to explore whether International surrealism can begin to be more fully explained by an ...
The reach of the car today is almost universal, and its effect on landscapes, cityscapes, cultures indeed, on the very fabric of the modern world is profound. Cars have brought benefits to individuals in terms of mobility and expanded horizons, but the cost has been very high in terms of damage to the environment and the consumption of precious resources. Despite the growing belief that a Faustian price is now being paid for the freedom cars have bestowed on us, we are none the less manufacturing them in ever greater numbers. Autopia is the first book to explore the culture of the motor car in the widest possible sense. Featuring newly commissioned essays by writers, critics, historians, art...
The texts in this collection are revised versions of presentations given at the Coimbra International Conference on the Semantics of Culture Why "Culture"?, held on November 24-25, 2011. Their common theme is the idea that the phenomenon of culture cannot be reduced to a substantialist vision of the diversity of manifestations of society and human beings. However, if one were to accept the concept of culture as a starting point for observing these manifestations, then it should also be adopted as a starting point for critical questioning, that is, for problematizing. The texts in this volume contribute to this philosophical problematization by pointing out - each with its own perspective of analysis - articulations of the phenomenon of culture as a theoretical object and as a thematic object.
This book analyzes the relationship between art and politics in two contrasting modern dictatorships. Through a detailed look at the Chilean and Romanian dictatorships, it compares the different ways in which political regimes convey their view of the world through artistic means. It examines how artists help \ convey a new understanding of politics and political action during repressive regimes that are inspired by either communism or anti-communism (neoliberalism, traditionalist, conservative). This book demonstrates how artistic renderings of life during dictatorships are similar in more than one respect, and how art can help better grasp the similarities of these regimes. It reveals how dictatorships use art to symbolically construct their power, which artists can consolidate by lending their support, or deconstruct through different forms of artistic resistance.