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Forms of Education
On art and education in the age of neo-liberalism.Book 450 pages.Editors: Aeron Bergman, Alejandra Salinas, and Irena Boric. Design: Rafaela Dra'ic. Advisor: Gregory Laynor. With contributions by Gregory Sholette, Eunsong Kim, Pablo Helguera, DubaSambolec, MFA noMFA, Shelly Asquith, Roee Rosen, Aurora Harris, TedHeibert, Mohamed Ali Fadlabi, Beatriz Santiago Muñoz, MarjeticaPotrc;, Escuela de Garaje, Vancouver Institute for Social Research, Judith Chicago, Bisan Abu Eisheh, Diego Bruno, Clare Butcher, Chus Martinez, Sezgin Boynik, Audun Mortensen, Bergman & Salinas, Irena Boric, Sondra Perry & Nicole Maloof, Robert Paul Wolff, Chris Kraus, MarthaRosler, Walid Raad, and Tadej Pogacar
Cyberarts 2001
Der Prix Ars Electronica ist eine offene Plattform für die unterschiedlichen Disziplinen im Bereich digitaler Mediengestaltung an der Schnittstelle von Technologie, Kunst, Wissenschaft und Gesellschaft. Die neue Wettbewerbssparte Net Vision/Net Excellence öffnet sich verstärkt dem kulturellen Diskurs um das Medium Internet. Cyberarts 2001 bietet einen aktuellen Überblick über digitale Mediengestaltung am Beispiel der Wettbewerbsbereiche Net Vision/Net Excellence, Digital Musics, Interaktive Kunst und Computeranimation/Visual Effects ebenso wie einen Überblick über die breite Palette von Produktionen Jugendlicher.
Fuck Neoliberalism
In a long history of ruination and destruction, neoliberalism is the most recent and virulent form of capitalism. This book is a call to action against the most persistent and pestilent disease of our time. Translated into over twenty different languages, the book offers a call to action that transcends local contexts and speaks to the violent global conditions of our neoliberal age. Fuck Neoliberalism: Translating Resistance is a worldwide middle finger to the all-encompassing ideology of our era. The original essay sparked controversy in the academy when it was first released and has since spread around the world as enthusiastic rebels translated it into their own languages. This book brin...
Loading the Silence: Australian Sound Art in the Post-Digital Age
The experimentalist phenomenon of 'noise' as constituting 'art' in much twentieth-century music (paradoxically) reached its zenith in Cage’s (’silent’ piece) 4’33 . But much post-1970s musical endeavour with an experimentalist telos, collectively known as 'sound art', has displayed a postmodern need to ’load’ modernism’s ’degree zero’. After contextualizing experimentalism from its inception in the early twentieth century, Dr Linda Kouvaras’s Loading the Silence: Australian Sound Art in the Post-Digital Age explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments. Taking A...
Detroit Remains
"An archaeologically grounded narrative of six legendary Detroit places"--
The Darwin Effect
Dr. Miklos Nyiszli, an imprisoned doctor in the Auschwitz camp, wrote that Nazi doctors hoped studying twins would solve the problem of faster reproduction of superior races. Nazis hoped to have each German mother bear as many twins as possible.What Darwin influenced went far beyond the Nazi death camps: Shocking political, social, and scientific legacies of Darwin and his familyDisturbing disclosure of how over 45 million Christians were killed in the 20th century because of their faithRevealing and layman-friendly presentation. This book is the result of 30 years of research and study carefully documenting the common destructive threads that tie some of history’s most murderous dictators...
Telepathy
On art and neoliberalism.
Cyberarts
Compendium of computer arts from the competition Prix Ars Electronica.
The Passion of Ingmar Bergman
Acknowledged as one of the greatest filmmakers of this or any other time, Bergman has with few exceptions written his own screenplays--an uncommon practice in the film industry--and for this practice critics refer to him as a "literary" filmmaker: In this work, Gado examines virtually the entire range of Bergman's literary output. While treating the matter of the visual presentation of Bergman's films, Gado concentrates on story and narrative and their relationship to Bergman's personal history. Gado concludes that whatever the outward appearance of Bergman's works, they contain an elementary psychic fantasy that links them all, revealing an artist who hoped to be a dramatist, "the new Strindberg," and who saw the camera as an extension of his pen.
