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This volume addresses the diversification of mental healthcare provision and patients’ health-seeking behavior by putting Brazilian Spiritism and its translocal relations at the center of its inquiry. Comparative chapters document and critically assess the affective arrangements of Spiritist spaces in Brazil and Germany and how practices contribute to healing and the diversification of a globally circulating mental health agenda. The book addresses the human experience within Spiritist psychiatric clinics and affiliated Spiritist centers in Brazil, which in migratory contexts also have connections to Germany. Chapters interrogate the spaces where people inside and outside Brazil engage in ...
Written by one of Italy's leading contemporary thinkers and available in English for the first time, this book surveys the key themes in Continental aesthetics.
"Oktoberfest in Brazil: Domestic Tourism, Sensescapes, and German Brazilian Identity is one of the first ethnographies to critically analyze Brazil's European-heritage tourism industry. Southern Brazil's booming domestic tourism industry draws more than 500,000 people to events such as Oktoberfest in Blumenau, the site of Audrey Ricke's fieldwork. Ricke's unique contribution is investigation of domestic tourism as "sensescapes" for citizens of different regions and backgrounds. The sensescapes concept encapsulates an experience beyond the visual. Ricke also introduces the economy of aesthetics framework to capture how the sensescapes associated with domestic tourism are mobilized to negotiat...
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Aesthetic reflections by various members of the Frankfurt school have dominated the art world for many decades. Sorgner shows that they introduced a paternalistic logic in the field of aesthetics while attempting to overcome paternalism. His art philosophical alternative reveals the option of creating non-totalitarian total works of art. The wide spectrum of posthuman artworks reveals the immense diversity of nontotalitarian total works of art. "A deeply considered survey of the posthuman future of art. Sorgner's philosophy of posthumanism provides a path away from the dominant 20th-century aesthetics that still inform our conception of art today. Through the innovative concept of the 'twist...
Film festivals during the Cold War were fraught with the political and social tensions that dominated the world at the time. While film was becoming an increasingly powerful medium, the European festivals in particular established themselves as showcases for filmmakers and their perceptions of reality. At the same time, their prestigious, international character attracted the interest of states and private players. The history of these festivals thus sheds light not only on the films they made available to various publics, but on the cultural policies and political processes that informed their operations. Presenting new research by an international group of younger scholars, Cultural Transfer and Political Conflicts critically investigates postwar history in the context of film festivals reconstructing not only their social background and international dispensation, but also their centrality for cultural transfers between the East, the West and the South during the Cold War.