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The Deaths of Henri Regnault
This is the first book in many years about the nineteenth-century French artist Henri Regnault. Controversial and celebrated in his day, Regnault did not live long. He died at the age of 28 in the Franco-Prussian War, becoming a hero of the French nation. What sets him apart from the more conventional members of the French academy is his great skill in painting Oriental exotic subjects and doing so in a highly materialistic vein designed to produce, through elements like gold paint, garish colors, and odd details, blatant amusement for the eye. In a word, his images are both delightful and awful. Gotlieb s book combines biography, history, and comparative readings of works by Regnault with those by other French artists such as Delacroix, Fromentin, and Renoir. It also, importantly, explores the afterlives of Regnault as a cultural and artistic figure, as well as his diminishment during the rise of modernism and his eventual demise in the history of art."
The Musical Legacy of Wartime France
For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy’s efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works: the secret Resistance songs of Francis Poulenc and those of Arthur Honegger; Olivi...
Rethinking Anti-Americanism
This book reveals how the concept of 'anti-Americanism' has been misused for over 200 years to stifle domestic dissent and dismiss foreign criticism.
The Shameful Peace
The German occupation of France from 1940 to 1945 presented wrenching challenges for the nation's artists and intellectuals. Some were able to flee the country; those who remained—including Gide and Céline, Picasso and Matisse, Cortot and Messiaen, and Cocteau and Gabin—responded in various ways. This fascinating book is the first to provide a full account of how France's artistic leaders coped under the crushing German presence. Some became heroes, others villains; most were simply survivors. Filled with anecdotes about the artists, composers, writers, filmmakers, and actors who lived through the years of occupation, the book illuminates the disconcerting experience of life and work within a cultural prison. Frederic Spotts uncovers Hitler's plan to pacify the French through an active cultural life, and examines the unexpected vibrancy of opera, ballet, painting, theater, and film in both the Occupied and Vichy Zones. In view of the longer-term goal to supplant French with German culture, Spotts offers moving insight into the predicament of French artists as they fought to preserve their country's cultural and national identity.
Medieval Roles for Modern Times
"Examines the performances of a Parisian youth group, Gustave Cohen's Théophiliens, and the process of making medieval culture a part of the modern world. Explores the work of actor Moussa Abadi, and his clandestine resistance under the Vichy regime in France during World War II"--Provided by publisher.
Le Mai 68 des historiens
Pour le 50e anniversaire de Mai 68, décryptage des discours rétrospectifs portés par les intellectuels sur l’impact de Mai 68
Le Mai 68 des historiens
Cet ouvrage questionne les héritages de Mai 68 pour les outils de la recherche, la circulation des connaissances, les renouvellements historiques et la refondation des structures de transmissions des savoirs.
Political Ecumenism
Adams examines the contributions of such major Français libres as René Cassin, Pierre Mendès France, and Jacques Soustelle and explores de Gaulle's troubled relations with Churchill and Roosevelt. The opportunity for Gaullists to offer full membership to the fourth religious family, Algeria's Muslim majority, following the liberation of French North Africa is also considered. In an epilogue, Adams reflects on the impact of Free France's political ecumenism in the postwar era.
Charles De Gaulle and the Media
This book explores Charles De Gaulle's use and strict control of television between 1958 and 1969, highlighting the association between charismatic power and television with regards to legitimizing the Gaullist leadership and determining an evolution towards presidentialism during the Fifth Republic. A protagonist of European political history of the twentieth century, Charles de Gaulle was a pioneer in the use of mass media: in the Second World War he had earned the nickname of Général-micro due to his reliance on radio communication; in 1958 he then started an substantive and fruitful use of television, which some of his opponents labelled as ‘telecracy’. From difficult beginnings, where he followed the advice of publicity and communication experts, through his masterful TV appearances during the dramatic moments of the Algerian War, to the presidential campaign of 1965 and the crisis of May 1968, the author paints a compelling fresco of de Gaulle as the first TV leader in contemporary European history. The book will appeal to students and scholars interested in the fields of French politics, political communication and political leadership.
Duruflé's Music Considered
In this book, Ronald Ebrecht has meticulously studied each of Duruflé’s works and put together the first book to discuss in detail all of Duruflé’s music. With encouragement from Duruflé’s editor and the foundation established in his name, Ebrecht has compiled copious examples from manuscript sources to be published for the first time along with the little-known contextualizing works of Messiaen and Barraine. Most widely known for his masterpiece Requiem, the composer’s orchestral gems are analyzed alongside his delightful miniature: the orchestration of the Sicilienne. The organ works which set the standard for virtuosity at conservatories around the world are given new insightful and thorough evaluation by Ebrecht, whose long association with late 19th and early 20th century France and French music affords illuminating connections between Duruflé and his predecessors and successors with sweeping insight and minute detail.
