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Closet Stages examines theater theory produced by middle- and upper-class British women-playwrights, actresses, and spectators-between 1790 and 1840. Shifting the focus away from the Romantic male writers to the journals, letters, and play prefaces in which women framed their relationship to the theater arts, Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between "closet" and "stage."
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This book gives an insight into how our Lancashire ancestors lived and interacted with the environment in which they existed, over the centuries. Apart from a general history of Darwen life, this volume covers not only the very first ancestral tree but follows the story of one particular family branch through to the twentieth century and into living memory. The story includes detailed information of many other families which whom the Harwoods have intermingled over the centuries, and it would be a rare Darwener, who could not find some connection to his own ancestors within these pages. “Enthusiasm, in-depth research, and a unique authorial voice: this book is what genealogy should result ...