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Joan Miro, 1917-1934
Dresse le portrait de J. Miro (1893-1983), un artiste indépendant qui zigzagua entre le surréalisme et l'abstraction. Met en lumière les échanges féconds entre la terre catalane et les milieux artistiques de Paris qui influencèrent son oeuvre. Publié à l'occasion de l'exposition tenue de mars à juin 2004.
Surrealism and Architecture
This is a historically informed examination of architecture's perceived absence in surrealist thought, surrealist tendencies in the theories and projects of modern architecture, and the place of surrealist thought in contemporary design. This book represents current insights into surrealism in the thought and practice of modern architecture. In these essays, the role of the subconscious, the techniques of defamiliarization, aesthetic and social forces affecting the objects, interiors, cities and landscapes of the twentieth century are revealed. The book contains a diversity of voices from across modern art and architecture to bring into focus what is often overlooked in the histories of the modernist avant-garde. This collection examines the practices of writers, artists, architects, and urbanists with emphasis on a critique of the everyday world-view, offering alternative models of subjectivity, artistic effect, and the production of meanings in the built world.
Jim Jarmusch
Publisher description
In(ter)discipline
'Interdisciplinarity' has dynamised the Modern Humanities. Yet, this presents serious challenges involving both translation and affect. Another challenge concerns language. This book examines the routine to propose alternative languages.
Joan Miró, 1917-1934
This study of the crucial formative period of Mir's art from 1917 to 1934, from his first emergence in the avant-garde of Barcelona and Paris to his acclaim by the Surreaslists as a modern master concentrates on the sometimes painful, sometimes ecstatic processes of his early development, working either in Paris or in the seclusion of his farm at Montroig in Catalonia.
Biennial Report...
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Joan Miro, 1917-1934
This study of the crucial formative period of Miró's art - from 1917 to 1934, from his first emergence in the avant-garde of Barcelona and Paris to his acclaim by the Surrealists as a modern master - concentrates on the sometimes painful, sometimes ecstatic processes of his early development, working either in Paris or in the seclusion of his farm at Montroig in Catalonia.
Celebrating Modern Art
The Anderson collection is among the greatest private collections of modern and contemporary art in the United States. This work features the works of over 140 artists, including Willem de Kooning, Jackson Pollock, and Mark Rothko.
