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Contributions examine the idea of the literary canon in Southeast Asia as a list of famous authors and works which have stood the test of time and reflect a country's cultural unity.
The histQry of this book dates back exactly 20 years. When I first set foot on the shores O'f Indonesia in September 1947, I was, amongst other things, assigned the task 0'£ teaching Malay literature in an advanced teacher-training course, with the instructiOon to' lay stress on modern literature. This was easier said than done, as very little had been written Oon the subject, and few materials were available to me. From this period I recall with great gratitude the regular and friendly contacts I had with Mr. Sutan Takdir Alisjahbana, whO' in many ways me with information and documentatiO'n. helped The editQrs of the magazine "Kritiek en Opbouw" found my lecture nffies Qn some pre-war auth...
Culture, Power, and Authoritarianism in the Indonesian State is a critical history of cultural policy in one of the world’s most diverse nations across the tumultuous twentieth century. It charts the influence of momentous political changes on the cultural policies of successive states, including colonial government, Japanese occupation, the killing and repression of the left and their affiliates, and the return of representative government, and examines broader social changes like nationalism and consumer culture. The book uses the concept of authoritarian cultural policy, or cultural policy that was premised on increased state control, tracing its presence from the colonial era until today. Tod Jones’ use of historical and case study chapters captures the central state’s changing cultural policies and its diverse outcomes across Indonesia.
"Perhaps we shall never know the truth about Indonesia's failed (supposedly Communist) coup of 1965. But the consequences were clear: the fall of President Sukarno and rise to power of General Suharto plus violent suppression of all "Communist" organizations. In the process a half million lives were lost." "This book analyses Indonesian literature produced during the New Order period dealing with the events of 1965-1966 and its consequences. It examines the political coercion that people were subjected to and how the authors deal with the taboo subject of the killings. It also considers how the Communist Party was seen and discusses the underlying reasons for why the fictional characters act as they do. Crucial here is the influence of Javanese culture and the significance of President Sukarno's political concept of Nasakom." "This is the first book-length study presenting the alternative version found in Indonesian literature of the events of 1965-1966. It also demonstrates that the concerns and perceptions of Indonesian writers differ sharply from those of Westerners."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
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This volume is the result of a conference held in October 2015 in connection with the Frankfurt Book Fair discussing developments that are considered important in contemporary Indonesian cultural productions. The first part of the book reflects on the traumatic experiences of the Indonesian nation caused by a failed coup on October 1, 1965. In more general theoretical terms, this topic connects to the field of memory studies, which, in recent decades, has made an academic comeback. The focus of the chapters in this section is how certain, often distressing, events are represented in narratives in a variety of media that are periodically renewed, changed, rehearsed, repeated, and performed, i...
The studies in this book examine traditional performance genres in the Indonesian islands of Java and Bali. They cover puppet and human theatre, dance, sung narrative, narrative temple reliefs, and vocal and instrumental music, span a period of more than a thousand years, and range over four cultural complexes: Sundanese in western Java, Javanese in central and eastern Java, Chinese in eastern Java, and Balinese in Bali.
In the discourse of Indonesian literature history, the relationship between literature and politics is pressing issue, a situation that cannot be easily to overcome. A long time ago, during the Dutch colonial government, there was a rule that literature should not discuss ideology, religion, and politics. This colonial policy lasts and never changes even though Indonesia was already get its independence. Thats why Indonesian literary society and writers have a strong believe that literature must not be involved in politics and it must not have any moral and political goals. Literature cannot be related to real-life directly because literature is only a fictional work. The historical aspects ...