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Modernism and the Art of Muslim South Asia
This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region’s intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by...
Sadequain and the Culture of Enlightenment
"The book looks at the great Pakistani painter from a new angle. The author writes on his personality, calligraphy, poetry, drawing and painting in the context of twentieth century modernism. Sadequain was a great modern artist who created a new art in which he interpreted change as the need of time. He was an innovative calligrapher, poet, master of drawing, mural and easel painting who combined his skill in all of these crafts/arts to create works which are unique in the world: honouring the modern viability of his culture of enlightenment which flourished from the sixteenth to the twentieth centuries."--Publisher's website.
The Empty Room
In 1970s Karachi, where violence and political and social uncertainty are on the rise, a beautiful and talented painter, Tahira, tries to hold her life together as it shatters around her. Her marriage is quickly revealed to be a trap from which there appears no escape. Accustomed to the company of her brother Waseem and friends, Andaleep and Safdar, who are activists, writers and thinkers, Tahira struggles to adapt to her new world of stifling conformity and to fight for her identity as a woman and an artist. Tragedy strikes when her brother and friends are caught up in the cynically repressive regime. Faced with loss and injustice, she embarks upon a series of paintings entitled 'The Empty Room', filling the blank canvases with vivid colour and light. Elegant, poetic, and powerful, The Empty Room is an important addition to contemporary Pakistani literature, a moving portrait of life in Karachi at a pivotal moment in the nation's history, and a powerful meditation on art and the dilemmas faced by women who must find their own creative path in hostile conditions.
Image and Identity
Celebrating fifty years of Pakistani painting and sculpture, this is the definitive story of the introduction and unfolding of modern art in Pakistan.
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The BCCI Affair
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The Selected Writings of Eqbal Ahmad
Activist, journalist, and theorist, Eqbal Ahmad (1934-1999) was admired and consulted by revolutionaries and activists as well as policymakers and academics. In articles and columns published in such journals as the Nation, New York Review of Books, Monthly Review, and newspapers in Pakistan and Cairo, Ahmad inspired new ways of thinking about global issues. Whether writing on the rise of militant Islam, the conflict in Kashmir, U.S. involvement in Vietnam, or the cynical logic of Cold War geopolitics, Ahmad offered incisive, passionate, and often prophetic analyses of the major political events and movements of the second half of the twentieth century. This work is the first to collect Ahma...
The BCCI Affair: A Report to the Committee on Foreign Relations
"The Bank of Credit and Commerce International remains today, 30 years after its founding, a byword for corruption, influence peddling, bribery, crony capitalism, phony audits, money laundering, and worse. It managed to stave off crises with "too big to fail" arguments and friends in high places. Here, in full documentary splendor, we see the genesis of the term "bankster" and the stunning failure of the same roster of government agencies caught napping before the panic of 2008. This December 1992 document is the final draft of the Senate Foreign Relations Committee report. It was released by Congress but co-author Sen. Hank Brown, reportedly acting at the behest of Henry Kissinger, pressed for the deletion of a few passages, particularly re: Kissinger Associates. As a result, the final hardcopy version of the report, as published originally by the Government Printing Office, is less complete than the version you now hold in your hands. Long out of print and available only electronically, this report is here presented in a new edition designed for readability and easy reference." -- Page [4] of cover.
Decolonizing the Map
Almost universally, newly independent states make the production of new maps and atlases affirming their independence and identity a top priority, but the processes and practices by which previously colonized peoples become more engaged or re-engaged in mapping their own territories are rarely straightforward. This collection explores the relationship between mapping and decolonization while engaging recent theoretical debates about the nature of decolonization itself. The essays, originally delivered as the 2010 Kenneth Nebenzahl Jr. Lectures in the History of Cartography at the Newberry Library, encompass more than two centuries (from the late eighteenth through the twentieth) and three continents (Latin America, Africa, and Asia). Topics range from mapping and national identity in late colonial Mexico to the enduring crisis created by the partition of British India and the persistence of racial prejudices and the racialized organization of space in apartheid and postapartheid South Africa.
The Herald
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