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Language, Society, and Empowerment in Africa and Its Diaspora
Africa’s diversity is best illustrated linguistically. Thousands of endogenous and exogenous languages are linked to and central to the identity and reality of Africans. Language is a vital lens for analyzing these multifaceted challenges in Africa, where a deeper understanding of the entire linguistic landscape is germane to understanding sociopolitical and cultural systems. Concentrating on instrumental and emblematic functions of language in Africa, Language, Society, and Empowerment in Africa and Its Diaspora argues for the critical value of African languages beyond functionality into philosophical consideration of their importance for African unity and advancement. Akinloyè Òjó cal...
Birthcry
With unspeakable tenderness and palpable trepidation, Nigerian poet Obi Nwakanma captures the universal experience of childbirth. From his earlier collection The Horsemen and Other Poems, Nwakanma has become a “sojourner from a tangled past traveling to an uncertain future”, trying to root, shape and steel his unborn child to a world filled with graphic horror and indescribable wonder. Along the way he meets his muse, the sixteenth century mystical Indian poet Mirabai, and recites Elizabeth Bishop over tea. Thematically, Bithcry is intimate, lyrical and unrestrained while retaining a measured, coherent and precise form.
Naked Truth
A potpourri of witted versification of a social crusader, Naked Truth reveals the kowtowing status of a nation’s sociopolitical and economic stability. It is a collection aimed at social re-engineering/regeneration and liberation from the ramshackleness of a political, religious, economic and cultural cul-de-sac. Stylistically rich dialogue, music together with its accompaniments and different linguistic codes show the versatility of the poet. “Naked Truth” and other poems in this collection are prophetically insightful, casting vivid and exact characters that match our everyday experiences.
Sea of My Mind
Having produced five volumes of poetry, with a vision conscious of nationhood, Raji has become a stable dependable and enduring voice in recent Nigerian poetry. A poet with a consummate political theme, Raji sees versification as an engagement in the socio-political discourse of his land, aimed at forging a just nation.
Beauty in the Rubble
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Yoruba Creativity
In songs, dance and drama the fame of the Yoruba of Nigeria is firmly established and universally acknowledged. Also an established writing and literary tradition, the Yoruba have asserted themselves as a dominant force in the world of creativity. Such stars are represented here, as in the works of Wole Soyinka and Zulu Sofola. The future of language in the making of new idioms and dictionaries is also examined in an attempt to position the Yoruba and their cultures in the ever-changing world of cultural inventions.
The Woman Who Married the Bear
Stories of the primordial woman who married a bear, appear in matriarchal traditions across the global North from Indigenous North America and Scandinavia to Russia and Korea. In The Woman Who Married the Bear, authors Barbara Alice Mann, a scholar of Indigenous American culture, and Kaarina Kailo, who specializes in the cultures of Northern Europe, join forces to examine these Woman-Bear stories, their common elements, and their meanings in the context of matriarchal culture. The authors reach back 35,000 years to tease out different threads of Indigenous Woman-Bear traditions, using the lens of bear spirituality to uncover the ancient matriarchies found in rock art, caves, ceremonies, ritu...
Songs of Myself: Quartet
Songs of Myself: Quartet is deeply rooted in the indigenous African poetic tradition. The great udje poets first composed songs paying tribute to the god of songs, followed by songs of self-exhortation,and then songs mocking themselves before satirizing others. This collection incorporates some of these aspects of the oral poetic genre in its four-part structure. It deals with self-examination and the minstrel’s alter-ego as a way of attempting to know himself. So, there is self-mockery that justifies mocking others. The four parts of the collection are: “Pulling the Thread of the Loom,” “Songs of Myself,” “Songs of the Homeland Warrior,” and “Secret Love and Other Poems.”
Youth, Globalization, and Society in Africa and Its Diaspora
This edited collection provides a window into Africa’s diversity. A wide-ranging body of authors offers a valuable glimpse into the challenges and opportunities presented by globalization to the youth in Africa and its diaspora, while issuing a stern call for action to local governments to act now and tap into the energy of Africa’s burgeoning youth population. In doing so, the authors expand extant literature on the continent’s coping with globalization in the context of young people in various African nations. Featured in the collection are views on education, language, agriculture, sport and technology, deeply interwoven into the schooling, behavior, and health of youth. Specifically, these practices are found in both formal and non-formal education, agricultural production, and food nutrition, computer technology, and sport’s amelioration of health issues, throughout Africa.
Fate and Faith
In Fate and Faith Tunde Adeniran the polemicist celebrated nature, people and the omnipotence of god. There are striking images of a society in need of restoration. Adeniran writes with passion and sometimes with anger but not without the subtlety of a patriotic poet concerned about the future of his people.
