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The Idea of the University
The Idea of the University: A Reader, Volume 1 is a unique compilation of selected works of the major thinkers who have contributed to the discourse on the idea of the university in the German, English, American and French traditions, dating from the establishment of the University of Berlin in 1810. Readings include excerpts from Kant and Humboldt in the German tradition of Bildung through to Jaspers, Habermas and Gadamer; Newman, Arnold, Leavis and others in the British tradition; Kerr, Bok and Noble, among others, in the American tradition; and Bourdieu, Lyotard and Derrida in the French tradition. Each reading is prefaced with a brief editor's explanatory note. The Idea of the University: A Reader, Volume 1 provides a comprehensive account of the university, and is matched by a second volume of original essays on contemporary perspectives.
Süleymanname
The Suleymanname is an imperial illuminated manuscript, housed in the Topkapi Museum in Istanbul. It was commissioned by the Sultan Suleyman I, who reigned from 1520 to 1566, when the Ottoman Empire was at its zenith. This facsimile edition is printed in four colours plus gold, and in tritone.
Early Roman Coinage
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The Innovative University
A collection of essays about Carnegie Mellon University.
Roman Art
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Baudelaire and Freud
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.
On Heroes
On Heroes Hero-Worship and the Heroic in History By Thomas Carlyle We have undertaken to discourse here for a little on Great Men, their manner of appearance in our world's business, how they have shaped themselves in the world's history, what ideas men formed of them, what work they did;--on Heroes, namely, and on their reception and performance; what I call Hero-worship and the Heroic in human affairs. Too evidently this is a large topic; deserving quite other treatment than we can expect to give it at present. A large topic; indeed, an illimitable one; wide as Universal History itself. For, as I take it, Universal History, the history of what man has accomplished in this world, is at bott...
The Portable Coleridge
Chronically impoverished, tormented by self-doubt and a crippling addiction to opium, Samuel Taylor Coleridge (1772-1834) still managed to become one of the most versatile and influential forces of English romanticism. The Portable Coleridge faithfully represents all facets of this complex, haunted genius, including his poems, "The Rime of the Ancient Mariner," "Christabel," "Kubla Khan," and "Dejection"; letters to friends and colleagues such as Robert Southey and William Godwin; selections from Notebooks and Table Talk; political and philisophical writings; literary criticism; and extensive excerpts from Biographia Literaria, in which Coleridge interweaves aesthetics, metaphysics, and disarmingly candid autobiography. Edited and with an introduction by the critic I.A. Richards, this voulme vastly expands our understanding of a writer of visionary insight and protean range.
Three Masters: Balzac, Dickens, Dostoevsky
In these early 20th century literary essays, Stefan Zweig offers a Central European view of the writers he believed to be the “three greatest novelists” of the 19th century: Balzac, Dickens, and Dostoevsky. In Zweig’s view, Balzac set out to emulate his childhood hero Napoleon. Writing 20 hours a day, Balzac’s literary ambition was “tantamount to monomania in its persistence, its intensity, and its concentration.” His characters, each similarly driven by one desperate urge, were more vital to Balzac than people in his daily life. In Zweig’s reading, Dickens embodied Victorian England and its “bourgeois smugness”. His characters aspire to “A few hundred pounds a year, an a...
