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Our parents always taught us well. They told us to look on the good side of life and to accept what has to happen. The Man Who Lived with a Giant is a collection of traditional and personal stories told by Johnny Neyelle, a Dene Elder from Déline, Northwest Territories. Johnny used storytelling to teach Dene youth and others to understand and celebrate Dene traditions and knowledge. Johnny’s voice makes his stories accessible to readers young and old, and his wisdom reinforces the right way to live: in harmony with people and places. Storytelling forms the core of Dene knowledge-keeping, making this a vital book for Dene people of today and tomorrow, researchers working with Indigenous cultures and oral histories, and all those dedicated to preserving Elders’ stories.
Unpacking the Personal Library: The Public and Private Life of Books is an edited collection of essays that ponders the cultural meaning and significance of private book collections in relation to public libraries. Contributors explore libraries at particular moments in their history across a wide range of cases, and includes Alberto Manguel’s account of the Library of Alexandria as well as chapters on library collecting in the middle ages, the libraries of prime ministers and foreign embassies, protest libraries and the slow transformation of university libraries, and the stories of the personal libraries of Virginia Woolf, Robert Duncan, Sheila Watson, Al Purdy and others. The book shows how the history of the library is really a history of collection, consolidation, migration, dispersal, and integration, where each story negotiates private and public spaces. Unpacking the Personal Library builds on and interrogates theories and approaches from library and archive studies, the history of the book, reading, authorship and publishing. Collectively, the chapters articulate a critical poetics of the personal library within its extended social, aesthetic and cultural contexts.
4 Award-Winning Authors and Illustrators Accompanied by Orson Scott Card, Brandon Sanderson, Jody Lynn Nye, Jerry Pournelle, Ciruelo and Echo Chernik and Edited by David Farland Your search for something new and different in sci-fi and fantasy ends here. Presenting this year’s collection of fresh voices, fabulous worlds, and fantastic new characters. Each year, the Writers and Illustrators of the Future Contests’ blue-ribbon judges search the world to discover and introduce to you the very best new talent in sci-fi and fantasy. Created by L. Ron Hubbard, whose commitment to help new writers and artists gave rise to the annual Writers of the Future anthologies—a launching pad for writer...
Arts of Engagement focuses on the role that music, film, visual art, and Indigenous cultural practices play in and beyond Canada’s Truth and Reconciliation Commission on Indian Residential Schools. Contributors here examine the impact of aesthetic and sensory experience in residential school history, at TRC national and community events, and in artwork and exhibitions not affiliated with the TRC. Using the framework of “aesthetic action,” the essays expand the frame of aesthetics to include visual, aural, and kinetic sensory experience, and question the ways in which key components of reconciliation such as apology and witnessing have social and political effects for residential school...
In his testimony on his survival in Auschwitz Primo Levi said "our language lacks words to express this offense, the demolition of a man". If language, if any language, lacks the words to express the experience of the concentration camps, how does one write the unspeakable? How can it then be translated? The limits of representation and translation seem to be closely linked when it comes to writing about the Holocaust – whether as fiction, memoir, testimony – a phenomenon the current study examines. While there is a spate of literature about the impossibility to represent the Holocaust , not much has been written on the links between translation in its specific linguistic sense, translation studies, and the Holocaust, a niche this volume aims to fill.
An eminent Canadian man of letters, scholar, naval officer and secret intelligence agent, CBC scriptwriter, musician, biographer, and translator, George Whalley (1915-1983) was also a gifted poet whose work spans five decades. Along with his major critical work, Poetic Process, and his superb biography, The Legend of John Hornby, Whalley’s poetry is an important contribution to the emergence and development of twentieth-century modernism. The Complete Poems of George Whalley is the first collection of Whalley’s entire poetic oeuvre. It contains the previously published work from his two books of poetry, Poems 1939-1944 and No Man An Island, as well as pieces that appeared in periodicals ...
Novels, films, theater, poetry, visual art, websites, news reports, and essays give context to environmental risk
An examination of the connections between modernist writers and editorial activities, Making Canada New draws links among new and old media, collaborative labour, emergent scholars and scholarships, and digital modernisms. In doing so, the collection reveals that renovating modernisms does not need to depend on the fabrication of completely new modes of scholarship. Rather, it is the repurposing of already existing practices and combining them with others – whether old or new, print or digital – that instigates a process of continuous renewal. Critical to this process of renewal is the intermingling of print and digital research methods and the coordination of more popular modes of literary scholarship with less frequented ones, such as bibliography, textual studies, and editing. Making Canada New tracks the editorial renovation of modernism as a digital phenomenon while speaking to the continued production of print editions.