You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Albert Blankert is best known for his book on the life and art of Johannes Vermeer, which has appeared in many editions and languages all over the world, and for devising and mounting numerous largescale exhibitions. True connoisseurs relish most of all Blankert's concise, insightful essays suggesting apt solutions to fundamental art historical questions. Twenty-three of his best pieces of writing have been carefully selected for this book, representing a career that spans four decades. Fourteen originally appeared only in Dutch and have been translated into English for this volume. They stand the test of time astonishingly well; where needed, the author has fully updated them for this book. Blankert's work has profoundly influenced the thinking of scholars of Dutch art. Nonetheless, his lucid, jargon-free style of writing is always addressed and attuned to the common sense of the "ordinary" reader.
Gathered in honor of John Michael Montias (1928–2005), the foremost scholar on Johannes Vermeer and a pioneer in the study of the socioeconomic dimensions of art, the essays in In His Milieu are an essential contribution to the study of the social functions of making, collecting, displaying, and donating art. The nearly forty essays here by—all internationally recognized experts in the fields of art history and the economics of art—are especially revealing about the Renaissance and Baroque eras and present new material on such artists as Rembrandt, Van Eyck, Rubens, and da Vinci.
This book presents the first critical review of recent conclusions about Rembrandt's oeuvre, many of which have proved unfounded. It also reveals that his work has always inspired legends and myths as well as convoluted interpretations.
Profiles the life and works of the distinguished seventeenth-century artist, analyzing him within the context of other artists of the period and examining his social origins and domestic environment and how they shaped his work.
With this illustrated catalogue, Museum Boijmans Van Beuningen and the Städelsch Kunstistitut present the other face of the Golden Age - the painters of Dutch classicism. Inspired by the art of classical Antiquity and that of the Italian High Renaissance, they developed an austere and refined style. Their paintings depicting biblical and mythological scenes presented the court, the regents and the intelligentsia in the seventeenth century with an alternative to so-called Dutch Realism. In this publication, Dutch classicism is viewed from all sides.
Rembrandts paintings have been admired throughout centuries because of their artistic freedom. But Rembrandt was also a craftsman whose painting technique was rooted the tradition. Rembrandt—The Painter at Work is the result of a lifelong search for Rembrandt's working methods, his intellectual approach to the art of painting and the way in which his studio functioned. Ernst van de Wetering demonstrates how this knowledge can be used to tackle questions about authenticity and other art-historical issues. Approximately 350 illustrations, half of which are reproduced in colour, make this book into a monumental tribute to one of the worlds most important painters. "The book is—if one may be allowed to say such a thing about a serious scholarly work—a gripping good-read.' Christopher White, The Burlington Magazine "This is a very rich book, a deeply felt analysis of an artist whom the author knows better than almost any other living scholar." Christopher Brown, Times Literary Supplement
This volume of essays derives from a memorable interdisciplinary symposium. At issue were various fundamental questions about the nature of Dutch sixteenth-and seventeenth-century society that fall under three broad categories: civic culture, art, and religion. The fourteen papers presented in this volume offer a number of fascinating insights into these and other questions that, taken together, greatly enrich our perception and understanding of this rich and varied society.
There are thirty-six illustrations."--Jacket.