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Downriver
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New Orleans
Second edition offers a look into the soulful homes and gardens of 1990s NOLA creatives, updated with a new layout, larger photos, and a narrative that includes the city's recent history For everyone who fantasizes about interiors that evoke an artistic world of color, myth, and romance The first edition sold more copies (90,000-plus) than any other photographic book about New Orleans in the city’s history
The New Encyclopedia of Southern Culture
From the Potomac to the Gulf, artists were creating in the South even before it was recognized as a region. The South has contributed to America's cultural heritage with works as diverse as Benjamin Henry Latrobe's architectural plans for the nation's Capitol, the wares of the Newcomb Pottery, and Richard Clague's tonalist Louisiana bayou scenes. This comprehensive volume shows how, through the decades and centuries, the art of the South expanded from mimetic portraiture to sophisticated responses to national and international movements. The essays treat historic and current trends in the visual arts and architecture, major collections and institutions, and biographies of artists themselves. As leading experts on the region's artists and their work, editors Judith H. Bonner and Estill Curtis Pennington frame the volume's contributions with insightful overview essays on the visual arts and architecture in the American South.
New Orleans in the Fifties
Photos and reminiscences of life the 1950s, part of the decade-by-decade series that vividly documents the Crescent City’s history. Remember when Mardi Gras was cancelled in 1951 in tribute to the men fighting the Korean War? Surely you were there for Elvis Presley’s visit to the Municipal Auditorium in 1956, and you must recall the first time you crossed the brand-new Greater New Orleans Bridge. How about the milk bottle on top of the Cloverland Dairy? For those who were there and those who wish they were, Mary Lou Widmer recalls these and many other images and events that define the decade. Packed with photographs, her remembrances will delight and entertain all who lived through this unique decade in New Orleans and fascinate anyone intrigued by the city’s past—from the tumult of integration to the worries about communism to the rapid growth of Gentilly, Metairie, and other suburbs.
The Past as Prelude
The Past as Prelude is a collection of essays exploring the rich, cultural history of New Orleans over the city’s first 250 years from 1718–1968. In this topical history of one of America’s oldest cities, a group of talented essayists explore the fascinating and varied patterns that have marked New Orleans’ growth. These multiple perspectives allow glimpses into topics as varied as the diverse people of the city, the unique Creole architecture, the historic art scene, the distinctive music, the Civil War, and, of course, New Orleans’ continued reputation as a “good-time town.” Detailed illustrations complement this comprehensive volume.
The New Encyclopedia of Southern Culture
Folk art is one of the American South's most significant areas of creative achievement, and this comprehensive yet accessible reference details that achievement from the sixteenth century through the present. This volume of The New Encyclopedia of Southern Culture explores the many forms of aesthetic expression that have characterized southern folk art, including the work of self-taught artists, as well as the South's complex relationship to national patterns of folk art collecting. Fifty-two thematic essays examine subjects ranging from colonial portraiture, Moravian material culture, and southern folk pottery to the South's rich quilt-making traditions, memory painting, and African American vernacular art, and 211 topical essays include profiles of major folk and self-taught artists in the region.
Modern Spirit
The work of Chippewa artist George Morrison (1919–2000) has enjoyed widespread critical acclaim. His paintings, drawings, prints, and sculptures have been displayed in numerous public and private exhibitions, and he is one of Minnesota’s most cherished artists. Yet because Morrison’s artwork typically does not include overt references to his Indian heritage, it has stirred debate about what it means to be a Native American artist. This stunning catalogue, featuring 130 color and black-and-white images, showcases Morrison’s work across a spectrum of genres and media, while also exploring the artist’s identity as a modernist within the broader context of twentieth-century American an...
Collecting Early Modern Art (1400-1800) in the U.S. South
This volume gathers together recent research from leading scholars specializing in the history of collecting. American Southern art collections, both public and private, contain rich and representative holdings of Renaissance and Baroque art which remain understudied, compared to the collections bracketing the east and west coasts of the United States. This anthology considers how these works of art were acquired for both prominent public and private collections, how they have been curated and displayed in exhibitions, and how they have also been preserved historically. Individual essays address a variety of art media representative of the early modern period in Europe and the Americas. Case studies of specific works of art, collections, and collectors address the broad geographic scope of Southern collections, inclusive of Washington, DC, the Carolinas, Georgia, Alabama, Louisiana, Arkansas, and Texas.
