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The Cinema of Spain and Portugal
Providing an overview of Spanish and Portuguese cinema, this title contains 24 essays, each on a separate seminal film from the region, profiling work from the likes of Pedro Almodıvar and João Cesar Monteiro.
Historical Dictionary of Spanish Cinema
Emerging as one of the most exciting, fascinating, and special kinds of filmmaking in the world, Spanish cinema has been producing excellent directors, actors, and films for decades, including during the dark times of the Franco regime. With directors (Pedro Almodovar), actors and actresses (Javier Bardem and Penelope Cruz), and films (Abre los ojos and Alatriste) amassing popularity, the outlook for Spanish cinema appears brighter than ever, and it is deservedly winning numerous fans abroad. --
Survival Songs
How can a song help the hungry and persecuted to survive? Stephanie Sieburth’s Survival Songs explores how a genre of Spanish popular music, the copla, as sung by legendary performer Conchita Piquer, helped Republican sympathizers to survive the Franco regime’s dehumanizing treatment following the Spanish Civil War (1936–39). Piquer’s coplas were sad, bitter stories of fallen women, but they offered a way for the defeated to cope with chronic terror, grief, and trauma in the years known as the “time of silence.” Drawing on the observations of clinical psychotherapy, Sieburth explores the way in which listening to Piquer’s coplas enabled persecuted, ostracized citizens to subconsciously use music, role-play, ritual, and narrative to mourn safely and without fear of repercussion from the repressive state. An interdisciplinary study that includes close readings of six of Piquer’s most famous coplas, Survival Songs will be of interest to specialists in modern Spanish studies and to clinical psychologists, musicologists, and those with an interest in issues of trauma, memory, and human rights.
Audiovisual Translation: Subtitling
"Audiovisual Translation: Subtitling" is an introductory textbook which provides a solid overview of the world of subtitling. Based on sound research and first-hand experience in the field, the book focuses on generally accepted practice but identifies current points of contention, takes regional and medium-bound variants into consideration, and traces new developments that may have an influence on the evolution of the profession. The individual chapters cover the rules of good subtitling practice, the linguistic and semiotic dimensions of subtitling, the professional environment, technical considerations, and key concepts and conventions, providing access to the core skills and knowledge ne...
Dark Laughter
In Dark Laughter, Juan F. Egea provides a remarkable in-depth analysis of the dark comedy film genre in Spain, as well as a provocative critical engagement with the idea of national cinema, the visual dimension of cultural specificity, and the ethics of dark humor. Egea begins his analysis with General Franco's dictatorship in the 1960s—a regime that opened the country to new economic forces while maintaining its repressive nature—exploring key works by Luis García Berlanga, Marco Ferreri, Fernando Fernán-Gómez, and Luis Buñuel. Dark Laughter then moves to the first films of Pedro Almodóvar in the early 1980s during the Spanish political transition to democracy before examining Alex de la Iglesia and the new dark comedies of the 1990s. Analyzing this younger generation of filmmakers, Egea traces dark comedy to Spain's displays of ultramodernity such as the Universal Exposition in Seville and the Barcelona Olympic Games. At its core, Dark Laughter is a substantial inquiry into the epistemology of comedy, the intricacies of visual modernity, and the relationship between cinema and a wider framework of representational practices.
Queer Obscenity
Under Spain's twentieth-century dictators, state agents not only censored, eradicated, and attempted to prevent the circulation of obscenity, but also contradictorily engaged in curation and even restoration initiatives that have bequeathed us an extensive queer pornographic archive. Javier Fernández-Galeano takes us inside the archive to demonstrate how the incongruities of the Primo de Rivera (1923–1930) and Franco (1939–1975) regimes were manifested in the regulation of erotic material cultures. The dictators' authorities destroyed "straight" pornographies while often curating and preserving "queer" erotica. While reproductions of the masterpieces of Tintoretto, Michelangelo and Bott...
Lesbian Realities/Lesbian Fictions in Contemporary Spain
Lesbian Realities/Lesbian Fictions in Contemporary Spain, edited by Nancy Vosburg and Jacky Collins, focuses exclusively on manifestations of lesbian cultures and identities in contemporary Spain. Bringing together key essays from a range of international scholars, this anthology of critical essays examines the changing cultural, sociological and political landscape of Spain at the turn of the millennium. Divided into two sections, the first contributions focus on the realities of lesbian lives and looks at how Spanish lesbian identities are constructed through language and the media. The essays in the second section analyze contemporary lesbian identities as manifested in novels and short s...
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The Space of Culture
The essays range from colonial domination and international struggles over territorial claims, to a meditation on the politics of location, to the issue of spatial representation of mature-age women and gay men within a dialectic of visibility/invisibility in Spanish theatre and cinema."--Jacket.
