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A lush, noir-glamorous third collection from Norma Farber Award Winner.
The American Voice looks to find the vital edge of modern American writing. The journal, whose contributors come from the U.S., Canada, and Latin America, often publishes work by writers denied access to mainstream journals. Writings from its pages have been regularly reprinted in prize annuals such as The Pushcart Prize, Best American Poetry, and Best American Essays. This fifteenth anniversary anthology collects eighty poems from some of the most original and daring writers of our time. The anthology's contributors range from the world famous Jorge Luis Borges, Marge Piercy, May Swenson to the newly emerging Marie Sheppard Williams, Suzanne Gardinier, Robyn Selman and from the nationally read Wendell Berry, Reynolds Price, Barbara Kingsolver to the distinctly regional George Ella Lyon, Jane Gentry, James Still. This volume brings together some of the best selections from an award-winning journal, making clear why Small Press dubbed The American Voice one of the "most impressive journals in the country."
Why would a country strongly influenced by Buddhism's reverence for life allow legalized, widely used abortion? Equally puzzling to many Westerners is the Japanese practice of mizuko rites, in which the parents of aborted fetuses pray for the well-being of these rejected "lives." In this provocative investigation, William LaFleur examines abortion as a window on the culture and ethics of Japan. At the same time he contributes to the Western debate on abortion, exploring how the Japanese resolve their conflicting emotions privately and avoid the pro-life/pro-choice politics that sharply divide Americans on the issue.
In these quizzically probing and provocative poems, atoms and torture, tattoos and laundromats, mug shots, the theory of light, and such personalities as Joe Louis and Bruce Lee join in shaping a simultaneously personal and historical narrative of love, family, and desire. The tension between the public and the private saturates these poems with a breathless energy that carries the reader through Rekdal’s self-aware depiction of American culture and romance, complete with Harlequin romance novels and an account of her parents’ courtship. Though Rekdal delights in turning traditional images of love upside down, what she finally offers is a grateful and graceful view of humanity, which convinces us that, as she says in “Convocation”: “Nothing is a single moment . . . / No private event lacks history.”
Senior year is cooling down, student scandals are heating up, and in sexy South Beach, one teen's wicked dirty trouble is another teen's good clean fun. Until the last killer party becomes exactly that -- a party that kills. Everyone wants to be just like them: Vanity, the gorgeous celebutante; Dante, the hip-hop dreamer; Max, the second-generation Hollywood bad boy; Christina, the just-out-of-the-closet Latina; and Pippa, the British hottie. They're the fabulous five of the Miami Academy for Performing Arts, and they've got everything and more. But for the unluckiest one of all, that includes a violent death at seventeen...on the night before graduation. Hot romance, dangerous games, platinum dreams, and deadly choices. For some people, it's an impossible life. For Miami's most infamous clique, it's just another day at the beach...and for one of them, it's going to be the last.
The National Endowment for the Arts (NEA) Literature Fellowship Program has helped new writers find their voices and established authors continue their work. Some of the early grants went to writers whose work is now a permanent part of America¿s literary legacy, such as Gwendolyn Brooks, Isaac Bashevis Singer, John Berryman, Denise Levertov, Robert Penn Warren, and Eudora Welty. The NEA Fellowships have also recognized many writers before their talents were acknowledged by a wider audience, such as Alice Walker, Tobias Wolff, and Maxine Hong Kingston. This publication, issued in the 40th year of NEA¿s existence, celebrates the history of the NEA Literature Fellowship Program. Photos.
Depth Theology taps the religious potential of poetry to access both the interior and the exterior worlds. Inspired by depth psychology, the field of psychology devoted to the unconscious, Peter O'Leary's poems work to discover the religious knowledge of the unconscious mind. While seeking a revelatory poetry, O'Leary engages the inconclusive quality of the revealed, observing that "There's / a liquidy trickiness to life, an entropy / of spillage." The religious imagination that evolves in this series of thirty-four poems is unclouded by dogma and richly colored by erudition, while it tests the limits of human language and experience in an effort to understand our inwardness. Overflowing wit...
What Comes Down To Us features twenty-five of Kentucky’s most accomplished contemporary poets. Together they serve to illustrate the diversity and richness of poetry being written today in the Commonwealth. The poems were collected by Jeff Worley, a poet who has lived in Kentucky for more than two decades. Although the subject matter of the poems transcends the state’s borders, the collection communicates a strong sense of Kentucky as a place. Worley’s introduction places contemporary Kentucky poetry in the context of the state’s rich literary tradition, and the poet biographies include their reflections and, often, their poetic approach and technique.
Upton's poems about dreams transform the often mundane qualitiy of life in an overly materialistic America into something imaginative and spiritual. --Andy Brumer, The New York Times Book Review.
Three long poems illuminate broken and violated things, using Bach, Kandinsky, and "Botticelli" as raw material for poetic musing. Winner of the Contemporary Poetry Series Competition. (Poetry)