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A history of gay Chicago told through the stories of queer men who left a record of their sexual activities in the Second City, this book paints a vivid picture of the neighborhoods where they congregated while revealing their complex lives. Some, such as reporter John Wing, were public figures. Others, like Henry Gerber, who created the first "homophile" organization in the United States, were practically invisible to their contemporaries. But their stories are all riveting. Female impersonators and striptease artists Quincy de Lang and George Quinn were arrested and put on trial at the behest of a leader of Chicago's anti-"indecency" movement. African American ragtime pianist Tony Jackson's most famous song, "Pretty Baby," was written about one of his male lovers. Alfred Kinsey's explorations of the city's netherworld changed the future of American sexuality while confirming his own queer proclivities. What emerges from The Boys of Fairy Town is a complex portrait and a virtually unknown history of one of the most vibrant cities in the United States.
"Henry Darger was utterly unknown during his lifetime, keeping a quiet, secluded existence as a janitor on Chicago's North Side. When he died his landlord discovered a treasure trove of more than three hundred canvases and more than 30,000 manuscript pages depicting a rich, shocking fantasy world-many showing hermaphroditic children being eviscerated, crucified and strangled. While some art historians tend to dismiss Darger as an unhinged psychopath, in Henry Darger, Throw-Away Boy, Jim Elledge cuts through the cloud of controversy and rediscovers Darger as a damaged, fearful, gay man, raised in a world unaware of the consequences of child abuse or gay shame. This thoughtful, sympathetic bio...
Who’s Yer Daddy? offers readers of gay male literature a keen and engaging journey. In this anthology, thirty-nine gay authors discuss individuals who have influenced them—their inspirational “daddies.” The essayists include fiction writers, poets, and performance artists, both honored masters of contemporary literature and those just beginning to blaze their own trails. They find their artistic ancestry among not only literary icons—Walt Whitman, Oscar Wilde, André Gide, Frank O’Hara, James Baldwin, Edmund White—but also a roster of figures whose creative territories are startlingly wide and vital, from Botticelli to Bette Midler to Captain Kirk. Some writers chronicle an ent...
A History of My Tattoo is a book-length poem in ten parts that investigates the two major American tragedies of the late twentieth century--the defeat of U.S. forces in Vietnam and the plague of HIV/AIDS?as witnessed by the volume's narrator. Its surrealistic terrain includes the Vietnam Veterans Memorial Wall and the AIDS Memorial Quilt, is peopled by drag queens, soldiers, the homeless, and the narrator who has just been released from a psychiatric ward in an undisclosed city, and is haunted by the bells of a cathedral ringing in not just the new year but the new?the twenty-first?century.
“America’s best true-crime writer” (Kirkus Reviews) presents an all-new collection of crime stories drawn from her private files and featuring the riveting case of a fraudulent doctor whose lifelong deceptions had deadly consequences. The inspiration behind the upcoming Lifetime movie event Desperate Hours. Dr. Anthony Pignataro was a cosmetic surgeon and a famed medical researcher whose flashy red Lamborghini and flamboyant lifestyle in western New York State suggested a highly successful career. But appearances can be deceiving—and, for the doctor’s wife, very nearly deadly. Now, the motivations of the classic sociopath are plumbed with chilling accuracy by Ann Rule. Along with other shocking true cases, this worldwide headline-making case will have you turning pages in disbelief that a trusted medical professional could sink to the depths of greed, manipulation, and self-aggrandizement where even slow, deliberate murder is not seen for what it truly is: pure evil.
H is an impressionist biography in prose poems of outsider artist Henry Darger. Like Darger, H is entangled in a disturbing triangle: haunted by the spirit of murdered six-year-old Elsie Paroubek; plagued by memories of the childhood sexual abuse he suffered and by the despair he endured as an adult because of it; and tormented by the Divine as only believers can be. H is an unflinching portrait of two men simultaneously-one real, one metaphoric, both extraordinarily complex. -- from Publisher's description.
This three-volume collection of essays reveals the widespread existence of queer men and women in American popular culture, and showcases their important yet little-known role in shaping our society over the last 120 years. The virtually unknown existence of gay, bisexual, and queer men and women in American popular culture from the late 1800s through the present day is a fascinating topic for many readers, regardless of their own orientation. Whether it's the father of bodybuilding, famous closeted entertainers or sports stars, or the leading characters in current television shows and films, queer men and women have changed the face of American popular culture and society for over a century...
"What a great premise for an anthology! And it succeeds, both in its celebration of our crazy culture and its fascinating analysis, through the poems, of popular myths that have stood the test of time." —Kliatt In the past few decades, poetry about and around popular culture has become a very hip contemporary art form. Real Things is a collection of over 150 poems by more than 130 poets who themselves represent the cultural diversity of the United States. With subjects ranging from the influence of Mickey Mouse on child-raising to the relationship of Barbie to sex in America, from the societal effects of the movie Psycho to our fascination with dirty politics and Ralph Kramden, the poems in this anthology question and celebrate the attitudes that our society shares.
"Heretofore scholars have not been willing—perhaps, even been unable for many reasons both academic and personal—to identify much of the Harlem Renaissance work as same-sex oriented. . . . An important book." —Jim Elledge This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countée Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent—the only "out" gay Harlem Renaissance artist—portrayed men-loving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing.
"We knew Koch, Guest, O'Hara, Ashbery, and Schuyler thrived on the gritty, buoyant clank of city life, but that they drew from a secret fountain there only the Brill Building really let on, until now. In seven crisply argued, essayistic chapters, Gray lets us see and feel the invisible paradise glowing within the visible form of the subway, the skyscraper, the tenement bank, the tattoo parlor, a heaven ̀growing in the street/right up through the concrete, but soft and sweet and dreaming."---Kevin Killian, Author, Little Men --Book Jacket.