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Greek Lyric Poetry and Its Influence
This book deals with Greek lyric composed more than twenty-five centuries ago. These poems sing of everyday events and emotions in human life, from the most festive to the most serious, presenting a living portrait of the ancient Greeks. This multidisciplinary volume begins with a panorama of Greek lyric poetic genres, their main authors and their representative topics. The first part contains philological studies and literary analyses, first of some Greek poets—Anacreon, Sappho and Lycophron, among others—then of their influence on Horace’s Latin poetry, and on contemporary poetry. The second part, illustrated with colour images, studies Greek lyric from socio-political and iconographic perspectives, analysing its coincidences and reflections in images from Greek pottery, sculptures and reliefs. In addition, this section includes two works on musical theory and composition related to ancient Greek lyric. The volume closes with two studies of the image of Sappho in cinema.
Acta Conventus Neo-Latini Lovaniensis
Every third year, the members of the International Association for Neo-Latin Studies (IANLS) assemble for a week-long conference. Over the years, this event has evolved into the largest single conference in the field of Neo-Latin studies. The papers presented at these conferences offer, then, a general overview of the current status of Neo-Latin research; its current trends, popular topics, and methodologies. In 2022, the members of IANLS gathered for a conference in Leuven where 50 years ago the first of these congresses took place.This volume presents the conference’s papers which were submitted after the event and which have undergone a peer-review process. The papers deal with a broad range of fields, including literature, history, philology, and religious studies.
Acta Conventus Neo-Latini Albasitensis
In 2018, a conference of the International Association for Neo-Latin Studies took place in Albacete (“Humanity and Nature: Arts and Sciences in Neo-Latin Literature”). This volume publishes the event’s proceedings which deal with a broad range of fields, including literature, history, philology.
Varian Studies Volume Two
Elagabal is the name of the Syrian sun god whose high priest Varius was, at the same time as Roman emperor, AD 218–222. Because of this connexion, Varius was misnamed Heliogabalus or Elagabalus long after his death. Second in the series Varian Studies, this book discusses Elagabal’s architectural and sculptural artefacts in Rome. These are represented by the Palatine site of the Varian Temple of Elagabal in Rome, and by relief sculpture on column capitals found in the Roman Forum, showing Elagabal with other deities, in a scene of sacrifice here reconstructed as Elagabal’s Idyll. The Varian Temple of Elagabal in Rome confirms on topographical grounds an hypothesis regarding the site of that temple on the Palatine, concurring with current archaeological opinion based on other grounds. It also shows that the site in question has definite astronomical implications. Elagabal’s Idyll gives a full account of scholarship concerning the three column capitals and the debate about their origin and function. It then goes on to analyse the iconography of one of them in order to explore the cosmology, theology and ritual of the cult of Elagabal.
The Spanish Disquiet
In this book, historian María M. Portuondo takes us to sixteenth-century Spain, where she identifies a community of natural philosophers and biblical scholars. They shared what she calls the “Spanish Disquiet”—a preoccupation with the perceived shortcomings of prevailing natural philosophies and empirical approaches when it came to explaining the natural world. Foremost among them was Benito Arias Montano—Spain’s most prominent biblical scholar and exegete of the sixteenth century. He was also a widely read member of the European intellectual community, and his motivation to reform natural philosophy shows that the Spanish Disquiet was a local manifestation of greater concerns abo...
VARONES INSIGNES EN LETRAS NATURALES DE LA ILUSTRISIMA CIUDAD DE SEVILLA
Hacia 1647, Rodrigo Caro comenzó a reunir los materiales de un libro que dejaría inconcluso, Varones insignes en letras naturales de la ilustrísima ciudad de Sevilla, donde había de reunir las biografías de escritores hispalenses desde la Antigüedad hasta el reinado de Felipe IV. La obra pretende trazar una línea continua en la cultura sevillana desde época turdetana y romana hasta la propia contemporaneidad de Caro, cuando la ciudad de Sevilla aspiraba a ser reconocida como una nueva Roma.
Literature and Historiography in the Spanish Golden Age
Golden Age departures in historiography and theory of history in some ways prepared the ground for modern historical methods and ideas about historical factuality. At the same time, they fed into the period’s own "aesthetic-historical culture" which amalgamated fact and fiction in ways modern historians would consider counterfactual: a culture where imaginative historical prose, poetry and drama self-consciously rivalled the accounts of royal chroniclers and the dispatches of diplomatic envoys; a culture dominated by a notion of truth in which skilful construction of the argument and exemplarity took precedence over factual accuracy. Literature and Historiography in the Spanish Golden Age:...
Historia en fragmentos
Homenaje a Pablo Fernández Albaladejo, profesor de historia moderna de la Universidad autónoma de Madrid desde su momento fundacional, de la mano de Miguel Artola.
Scholastic Culture in the Hellenistic and Roman Eras
The purpose of this volume is to investigate scholastic culture in the Hellenistic and Roman eras, with a particular focus on ancient book and material culture as well as scholarship beyond Greek authors and the Greek language. Accordingly, one of the major contributions of this work is the inclusion of multiple perspectives and its contributors engage not only with elements of Greek scholastic culture, but also bring Greek ideas into conversation with developing Latin scholarship (see chapters by Dickey, Nicholls, Marshall) and the perspective of a minority culture (i.e., Jewish authors) (see chapters by Hezser, Adams). This multicultural perspective is an important next step in the discussion of ancient scholarship and this volume provides a starting point for future inquiries.
