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"'Dovlatov and Surroundings' is a literary ode by one of the most consequential late 20th -century Russian writers, Alexander Genis, to another: Sergei Dovlatov. Though the book's focus is ostensibly the man himself, the text unfolds as a comprehensive look at the Soviet, post-Soviet, and American cultures that shaped him and which he shaped. "Dovlatov and Surroundings" constantly, but effortlessly shifts its focus from the intimate to the sweeping, as Genis's reflections on his friendship with Dovlatov organically give way to recollections about diaspora life, which transition smoothly into analyses of language, culture, politics, and literature. Characterized by Genis as an obituary, this book makes plain the significance of Dovlatov to Russian literature and the nuances of the Soviet cultural heritage"--
Dovlatov and Surroundings is a literary ode by one of the most consequential late 20th-century Russian writers, Alexander Genis, to another: Sergei Dovlatov. Though the book’s focus is ostensibly the man himself, the text unfolds as a comprehensive look at the Soviet, post-Soviet, and American cultures that shaped him and which he shaped. Dovlatov and Surroundings constantly, but effortlessly shifts its focus from the intimate to the sweeping, as Genis’s reflections on his friendship with Dovlatov organically give way to recollections about diaspora life, which transition smoothly into analyses of language, culture, politics, and literature. Characterized by Genis as an obituary, this book makes plain the significance of Dovlatov to Russian literature and the nuances of the Soviet cultural heritage.
"'Dovlatov and Surroundings' is a literary ode by one of the most consequential late 20th -century Russian writers, Alexander Genis, to another: Sergei Dovlatov. Though the book's focus is ostensibly the man himself, the text unfolds as a comprehensive look at the Soviet, post-Soviet, and American cultures that shaped him and which he shaped. "Dovlatov and Surroundings" constantly, but effortlessly shifts its focus from the intimate to the sweeping, as Genis's reflections on his friendship with Dovlatov organically give way to recollections about diaspora life, which transition smoothly into analyses of language, culture, politics, and literature. Characterized by Genis as an obituary, this book makes plain the significance of Dovlatov to Russian literature and the nuances of the Soviet cultural heritage"--
The last ten years were decisive for Russia, not only in the political sphere, but also culturally as this period saw the rise and crystallization of Russian postmodernism. The essays, manifestos, and articles gathered here investigate various manifestations of this crucial cultural trend. Exploring Russian fiction, poetry, art, and spirituality, they provide a point of departure and a valuable guide to an area of contemporary literary-cultural studies which is currently insufficiently represented in English-language scholarship. A brief but useful "Who's Who in Russian Postmodernism" as an appendix introduces many authors who have never before appeared in a reference work of this kind and renders this book essential reading for those interested in the latest trends in Russian intellectual life.
The Bolsheviks took power in Russia 1917 armed with an ideology centered on the power of the worker. From the beginning, however, Soviet leaders also realized the need for rest and leisure within the new proletarian society and over subsequent decades struggled to reconcile the concept of leisure with the doctrine of communism, addressing such fundamental concerns as what the purpose of leisure should be in a workers' state and how socialist vacations should differ from those enjoyed by the capitalist bourgeoisie.In Club Red, Diane P. Koenker offers a sweeping and insightful history of Soviet vacationing and tourism from the Revolution through perestroika. She shows that from the outset, the...
The launch of the Sputnik satellite in October 1957 changed the course of human history. In the span of a few years, Soviets sent the first animal into space, the first man, and the first woman. These events were a direct challenge to the United States and the capitalist model that claimed ownership of scientific aspiration and achievement. The success of the space program captured the hopes and dreams of nearly every Soviet citizen and became a critical cultural vehicle in the country's emergence from Stalinism and the devastation of World War II. It also proved to be an invaluable tool in a worldwide propaganda campaign for socialism, a political system that could now seemingly accomplish ...
'Stalin's last generation' was the last generation to come of age under Stalin, yet it was also the first generation to be socialized in the post-war period. Its young members grew up in a world that still carried many of the hallmarks of the Soviet Union's revolutionary period, yet their surroundings already showed the first signs of decay, stagnation, and disintegration. Stalin's last generation still knew how to speak 'Bolshevik', still believed in the power of Soviet heroes and still wished to construct socialism, yet they also liked to dance and dress in Western styles, they knew how to evade boring lectures and lessons in Marxism-Leninism, and they were keen to forge identities that we...
How was the Jewish tradition reinvented in Russian-Jewish literature after a long period of assimilation, the Holocaust, and decades of Communism? The process of reinventing the tradition began in the counter-culture of Jewish dissidents, in the midst of the late-Soviet underground of the 1960-1970s, and it continues to the present day. In this period, Jewish literature addresses the reader of the ‘post-human’ epoch, when the knowledge about traditional Jewry and Judaism is received not from the family members or the collective environment, but rather from books, paintings, museums and popular culture. Klavdia Smola explores how contemporary Russian-Jewish literature turns to the traditions of Jewish writing, from biblical Judaism to early-Soviet (anti-)Zionist novels, and how it ‘re-writes’ Haskalah satire, Hassidic Midrash or Yiddish travelogues.
Chernyshevskii's 1863 novel What is to be Done? has often been dismissed as sociopolitical propaganda. Dostoevsky reviled it, while Lenin called it an inspiration. In this re-examination, the author argues that the novel has been misread through a refusal to see the novel as a literary text.