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'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
A guide to the thesis literature on China and Inner Asia written between 1976 and 1990. Includes more than 10,000 entries for dissertations in the arts and sciences, law, medicine, theology, engineering and other disciplines. Entries are grouped in topical chapters and each entry includes bibliographic information and an abstract.
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The languages of the world make use of a variety of techniques for describing events and putting sentences together. This volume takes a typological approach to clause chaining, a fascinating feature of the grammar of hundreds of languages outside Europe, especially in the Asia-Pacific region, East Africa, across Central Asia, and the Americas. Clause chains consist of several dependent clauses and one main clause, and are used to organize discourse and to foreground or background events and participants; they often go together with switch-reference marking, an indication of whether upcoming subjects will be co-referential with preceding subjects or not. The introductory chapter features a d...