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Ethnic and Cultural Identity in Music and Song Lyrics looks at a variety of popular and folk music from around the world, with examples of British, Slovene, Chinese and American songs, poems and musicals. Charles Taylor says that “it is through story that we find or devise ways of living bearably in time”; one can make the same claim for music. Inexorably tied to time, to the measure of the beat, but freed from time by the polysemous potential of the words, song rapidly becomes “our” song, helping to cement memory and community, to make the past comprehensible and the present bearable. The authors of the fifteen chapters in this volume demonstrate how lyrics set to music can reflect, express and construct collective identities, both traditional and contemporary.
This volume narrows a huge gap in regard to Steinbeck translations in Eastern Europe, here considered in terms of the political division between Western Europe and the Soviet-dominated East. As the only book of its kind, and although intended for both literature scholars and the broader arts community, it makes an important contribution to Steinbeck and American literature studies, and is useful for scholars of the languages discussed here. Although Steinbeck is regarded as an American writer of high repute, his appeal and influence extend far beyond the borders of North America. As documented here, he was particularly popular in Eastern Europe, where he inadvertently served political purpos...