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Syro-Hittite Monumental Art and the Archaeology of Performance
The ceremonial centers of the Syro-Hittite city-states (1200-700 BC) were lavishly decorated with large-scale, open-air figurative reliefs - an original and greatly influential artistic tradition. But why exactly did the production of such an array of monumental images ever start? This volume explores how Syro-Hittite monumental art was used as a powerful backdrop to important ritual events, and opens up a new perspective by situating monumental art in the context of public performances and civic spectacles of great emotional impact, such as processions, royal triumphs, and dynastic funerals.
The Ten Commandments
Presents a new translation, analysis, and history of the Decalogue based on a comparison to ancient Levantine monuments.
“A Community of Peoples”
A “Community of Peoples” draws together a diverse community of scholars to honor the career of Daniel E. Fleming. Through a diversity of methods and disciplines, each contributor attempts to touch a sliver of ancient Middle Eastern history.
Collective Violence and Memory in the Ancient Mediterranean
This book reveals how violent pasts were constructed by ancient Mediterranean societies, the ideologies they served, and the socio-political processes and institutions they facilitated. Combining case studies from Anatolia, Egypt, Greece, Israel/Judah, and Rome, it moves beyond essentialist dichotomies such as “victors” and “vanquished” to offer a new paradigm for studying representations of past violence across diverse media, from funerary texts to literary works, chronicles, monumental reliefs, and other material artefacts such as ruins. It thus paves the way for a new comparative approach to the study of collective violence in the ancient world.
Deuteronomy and the Material Transmission of Tradition
Deuteronomy and the inscribed texts depicted within it are often called “books.” Moreover, its treatment of writing has earned it a prominent place in historical accounts of the religion of ancient Israel and Judah. Neither Deuteronomy nor its text-artifacts, however, are books in any conventional sense of the term. This interdisciplinary study reorients the analysis of Deuteronomic textuality around the materiality, visuality, and rhetoric of ancient rather than modern media. It argues that the Deuteronomic composition adapts the media aesthetics of ancient treaty tablets and monumental inscriptions to a story that is itself transformed into an artifact of the past.
Sacred Landscapes of Hittites and Luwians
Known from the Old Testament as one of the tribes occupying the Promised Land, the Hittities were in reality a powerful neighbouring kingdom: highly advanced in political organization, administration of justice and military genius; with a literature inscribed in cuneiform writing on clay tablets; and with a rugged and individual figurative art ... Newly revised and updated, this classic account reconstructs a complete and balanced picture of Hittite civilization, using both established and more recent sources.
Ancient Egyptian Animal Fables
This book examines the depictions of anthropomorphised animals found on ostraca and papyri from Deir el-Medina and considers their narrative and artistic purpose within the religious environment of New Kingdom Thebes.
Systemizing the Past
Dedicated to Pavel Avetisyan, a leading modern Armenian archaeologist with wide international recognition, 36 contributions take the reader to the fascinating world of Caucasian archaeology. The volume demonstrates the essential role of the region in shaping the prehistoric cultural landscape of the Ancient Near East.
Cities and the Shaping of Memory in the Ancient Near East
This book investigates the practice of constructing cities in the ancient Near East, bringing together architecture and cultural history.
The Aulos in Classical and Late Antiquity. Acculturation, Diffusion, and Syncretism in Socio-Musical Processes of the Mediterranean
The aulos, an extinct musical instrument consisting of a cylindrical-bore pipe with finger holes and a double reed for a mouthpiece, was a very popular wind instrument during antiquity (c.1000 BC-AD 600). Through a comprehensive analysis of written, archaeological, and iconographic sources, this book presents a holistic view of this musical instrument, its past, and its consequential history. This study is further substantiated by ethnographic data from Sardinia and Egypt, where the launeddas and the arghul were explored respectively. A new understanding of the history of the aulos is presented through the establishment of parallels between past and contemporary music-related practices.
