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The Black Prince of Florence
Family tree -- Glossary of names -- Timeline -- Map -- A note on money -- Prologue -- Book one: The bastard son -- Book two: The obedient nephew -- Book three: The prince alone -- Afterword: Alessandro's ethnicity.
Alessandro De' Medici
Alessandro--whose mother was reported to have been a black slave, the reason for his swarthy complexion and nickname, Il Moro--took advice from no one, living for his own pleasure, his motto being ''They made me duke, so I'll enjoy it!'' By enjoying it he meant wandering the streets at night fully armed, pushing aside anyone in his way, looking for a fight he was destined to win for the simple reason that he had barred the carrying of a sword or a firearm, both of which never left him, nor did his dagger. And he had reason to fear, as the nobility of Florence wanted him, the city's new duke, replaced by legitimate blood, noble blood. He had gained power at age 19 and had by now fully tasted ...
The Black Prince of Florence
‘A spectacular, elegant, brilliant portrait of skulduggery, murder and sex in Renaissance Florence’ Simon Sebag Montefiore, Evening Standard, Books of the Year 1531 – after years of brutal war and political intrigue, the bastard son of a Medici Duke and a ‘half-negro’ maidservant rides into Florence. Within a year, he rules the city as its Prince. Backed by the Pope and his future father-in-law the Holy Roman Emperor, the nineteen-year-old Alessandro faces down bloody family rivalry and the scheming hostility of Italy’s oligarchs to reassert the Medicis’ faltering grip on the turbulent city-state. Six years later, as he awaits an adulterous liaison, he will be murdered by his cousin in another man’s bed. ‘Nothing in sixteenth-century history is more astonishing’ Hilary Mantel
Glory and Infamy
None
Apology for a Murder
Famed for having killed his cousin Alessandro, the Duke of Florence, in 1537, but also for writing accomplished literary works, including a comedy and several poems, Lorenzino de' Medici remains one of the most enigmatic figures of Italian literature. In his masterpiece, Apology for a Murder, he reveals the inner motives behind his act, portraying himself as a hero to be numbered alongside the great tyrannicides of ancient Rome and Greece.Lorenzino himself, in 1548, was murdered by two soldiers hired either by the emperor Charles V or by Cosimo, Alessandro's successor as Duke, and this volume includes the dramatic account of his killing by Francesco Bibboni, one of the assassins, as well as a selection of Lorenzino's poems, giving a fully rounded image of the antihero of Alfred de Musset's Lorenzaccio.
A Companion to Cosimo I de’ Medici
Mining the rich documentary sources housed in Tuscan archives and taking advantage of the breadth and depth of scholarship produced in recent years, the seventeen essays in this Companion to Cosimo I de' Medici provide a fresh and systematic overview of the life and career of the first Grand Duke of Tuscany, with special emphasis on Cosimo I's education and intellectual interests, cultural policies, political vision, institutional reforms, diplomatic relations, religious beliefs, military entrepreneurship, and dynastic concerns. Contributors: Maurizio Arfaioli, Alessio Assonitis, Nicholas Scott Baker, Sheila Barker, Stefano Calonaci, Brendan Dooley, Daniele Edigati, Sheila ffolliott, Catherine Fletcher, Andrea Gáldy, Fernando Loffredo, Piergabriele Mancuso, Jessica Maratsos, Carmen Menchini, Oscar Schiavone, Marcello Simonetta, and Henk Th. van Veen.
Fear & Loathing
None
The Duke's Assassin
Part I. The eleven-year exile -- Part II. Anatomy of a murder.
